The works of William Shakspere. Knight's Cabinet ed., with additional notes, Volume 12 |
From inside the book
Results 1-5 of 22
Page 10
... considered a violation of the unities of time and place as the great defect of the English theatre . Nor does he assert his preference of the classic school over the romantic , by objecting , as Sir Philip Sidney objects , that " plays ...
... considered a violation of the unities of time and place as the great defect of the English theatre . Nor does he assert his preference of the classic school over the romantic , by objecting , as Sir Philip Sidney objects , that " plays ...
Page 33
... considered disparaging- " he flowed with that facility , that sometimes it was necessary he should be stopped . " It was the facility that excited Jonson's critical comparison of Shakspere with himself ; and it was in the same way that ...
... considered disparaging- " he flowed with that facility , that sometimes it was necessary he should be stopped . " It was the facility that excited Jonson's critical comparison of Shakspere with himself ; and it was in the same way that ...
Page 69
... considered how many more people there are that can see and hear than think and judge . So wanton a change of the public taste , therefore , began to fall as heavy upon the King's company as their greater ex- cellence in action had ...
... considered how many more people there are that can see and hear than think and judge . So wanton a change of the public taste , therefore , began to fall as heavy upon the King's company as their greater ex- cellence in action had ...
Page 93
... considered and examined , " by the celebrated Thomas Rymer . Rymer's book was originally published in 1678 ; and Dryden's Preface to Troilus and Cressida , in which the supposed answer is contained , appeared in the following year ...
... considered and examined , " by the celebrated Thomas Rymer . Rymer's book was originally published in 1678 ; and Dryden's Preface to Troilus and Cressida , in which the supposed answer is contained , appeared in the following year ...
Page 94
... considered , " he proposes to examine the choicest and most applauded English tragedies of this last age ; as ' Rollo , ' ' A King and no King . ' ' The Maid's Tragedy , ' by Beaumont and Fletcher ; ' Othello , ' and ' Julius Cæsar ...
... considered , " he proposes to examine the choicest and most applauded English tragedies of this last age ; as ' Rollo , ' ' A King and no King . ' ' The Maid's Tragedy , ' by Beaumont and Fletcher ; ' Othello , ' and ' Julius Cæsar ...
Common terms and phrases
absurd action actor admiration amongst ancient appeared Beaumont and Fletcher beauties Ben Jonson century character comedy comic contemporaries copies criticism Cymbeline death delight drama dramatic poet dramatist Dryden edition editors evidence excellence exhibition expression fame folio French Garrick genius Gentlemen of Verona Hamlet hath honour imitation Jonson judgment Julius Cæsar labour language Lear learning Love's Labour's Lost Macbeth Malone Measure for Measure mind nation nature never observed original Othello passage passions perhaps persons players poem poet's poetical poetry praise preface printed produced published quarto reader Richard Richard III Romeo and Juliet rules of art Rymer says scene Schlegel Shak Shakspere Shakspere's plays speaks Spenser spere Steevens taste theatre things thou thought tion Titus Andronicus tragedy tragic translation Troilus and Cressida truth unities verse Voltaire Wives of Windsor words writers written wrote
Popular passages
Page 30 - Yet must I not give Nature all; thy art, My gentle Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat, (Such as thine are) and strike the second heat Upon the Muses...
Page 25 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 18 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 42 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took ; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred, in such pomp dost lie, That kings, for such a tomb, would wish to die.
Page 146 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 20 - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
Page 17 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Page 30 - I remember, the players have often mentioned it as an honour to Shakespeare, that in his writing, whatsoever he penned, he never blotted out a line. My answer hath been, Would he had blotted a thousand.
Page 34 - And joyed to wear the dressing of his lines ! Which were so richly spun. And woven so fit, As, since, she will vouchsafe no other wit The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie...
Page 31 - ... his mind and hand went together ; and what he thought, he uttered with that easiness, that we have scarce received from him a blot in his papers.