Hindusthāni Music: An Outline of Its Physics and Aesthetics |
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Page 16
... means of delicate æsthetic feeling . The study of music in relation to the laws of sound alone can offer such a rational explanation . Musically there is a mass - awakening in modern India 16 THE EVOLUTION OF INDIAN MUSIC [ Chapter I.
... means of delicate æsthetic feeling . The study of music in relation to the laws of sound alone can offer such a rational explanation . Musically there is a mass - awakening in modern India 16 THE EVOLUTION OF INDIAN MUSIC [ Chapter I.
Page 89
... means of course , the Raga - system has been fully explored , nor is it ever possible to do so , but the fact that the number of Rāgās with individual æsthetic potentialities is itself very small , is at the bottom of why only a few ...
... means of course , the Raga - system has been fully explored , nor is it ever possible to do so , but the fact that the number of Rāgās with individual æsthetic potentialities is itself very small , is at the bottom of why only a few ...
Page 91
... means one Mātrā and a long one means two . ― The Laya or the rhythmic sense means the ability to maintain precisely the uniformity of the span of each Mātrā or time - unit . The Laya therefore is as it were the soul of every time ...
... means one Mātrā and a long one means two . ― The Laya or the rhythmic sense means the ability to maintain precisely the uniformity of the span of each Mātrā or time - unit . The Laya therefore is as it were the soul of every time ...
Contents
CHAPTER | 1 |
Music and from FolkMusic to | 39 |
The Unities of Indian Music | 56 |
Copyright | |
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Common terms and phrases
accompaniment æsthetic Alāpa Alāpās ancient artistic belong Bharat C₁ chapter character chords chosen classical music consonances and dissonances consonant or dissonant degree Dhrupada difference notes drone emotional appeal employ F₁ Folk-music folk-songs form of musical Frequency fundamental note further G-type G₁ give given glide harmonic series harmonic upper partials hence Ichalkaranji individual instruments intervals Jāties Khyal laws major Fifth major Third Mātrās means melody mode mood musical composition nature Natya Shastra notation Octave Odawa otherhand particular performer pitch poetic theme poetry practice prime note principle prominence Pundit Rāga Raga-scale Raga-system Rāgās Rasās recitation relation relationship rhythm Shārangdev Shrutees Shuddha scale simple sonances song string stringed instruments summation notes sung syllables systems of music Tāna Tānās Tappā tetrachords Thumri time-measure tion tonality tone tonic tonic note tuning Unity of Indian Vādi variations vibration vocal voice vowel words राम रे सा सारे ऽ ऽ