New Soviet Man: Gender and Masculinity in Stalinist Soviet CinemaCinema has long been recognised as the privileged bridge between Soviet ideologues & their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but men too were expected to play their part. This is a study of masculinity in Stalinist Soviet cinema. |
Other editions - View all
Common terms and phrases
Aleksandrov's musicals appear audience Bakhtin Bettelheim Bolsheviks Byvalov Cambridge Chapaev chapter Christie eds Cinderella Cinema and Soviet Circus collectivisation Cossacks Countryphile Cultural Revolution directors discourse discussion Dobrenko Eisenstein Enzensberger fact fairy tale father figure Film Factory Freud Furthermore Geldern gender genre Happy Guys heroic History Hollywood ideology Ivan Pyr'ev Ivan the Terrible kolkhoz kolkhoz comedies Kuban Lacan Lapsley male Martynov masculinity mirror stage Moscow movie musical comedies narrative Party patriarchal perhaps Peter Kenez political portrayal positive hero production Pyr'ev Radiant Path Richard Stites Richard Taylor role Routledge Russian Popular Culture screen seen sexual social socialist realism soldier hero song Soviet Cinema Soviet culture Soviet Family Soviet film Soviet Novel Soviet reality Soviet Society Soviet Union specific Stalin Stalinist Stalinist cinema Stalinist culture Stalinist musical Tania's Taylor and Christie Terts theme theory tion Tractor Drivers trans Turovskaya Urban myths Utesov Utopia Valerii Chkalov Volga-Volga whilst Zipes