The Living End

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Dutton, 1979 - Fiction - 148 pages
Stanley Elkin's short comic novel "The Living End" is a nifty, nasty blast against the Judeo-Christian tradition. By hilariously excoriating the conventional vision of the afterlife, Elkin (1930-1995) uses his fandangoing language to accuse God of cultivating an imagination that's sadistic rather than sublime. Elkin's satiric misanthropy is worthy of Twain, though it falls short of Swift. The action in "The Living End" jumps from Heaven to Hell and back, its sardonic metaphysics revolving around the sufferings of a Job-like figure, Ellerbee, a decent man who while alive makes a few small mistakes, such as keeping his liquor store open on the Sabbath. - Bill Marx on ArtsFuse.org.

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Contents

Section 1
3
Section 2
39
Section 3
51
Copyright

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About the author (1979)

Stanley Elkin was an American Jewish novelist, short story writer, and essayist. He was born on May 11, 1930. Elkin steadily and quietly worked his way into the higher ranks of contemporary American novelists. He was born in Brooklyn, New York, but grew up in Chicago and has spent most of his life since in the Midwest, receiving his Ph.D. in English from the University of Illinois with a dissertation on William Faulkner. He was a member of the English faculty at Washington University in St. Louis from 1960 until his death, and battled multiple sclerosis for most of his adult life. Reviewers found Elkin's first novel, Boswell: A Modern Comedy (1964), the story of an uninhibited modern-day counterpart of the eighteenth-century biographer, hilarious and promising, while the stories in Criers and Kibitzers, Kibitzers and Criers (1966) established Elkin as a writer capable of writing short stories of textbook-anthology quality. The ironically entitled A Bad Man (1967) is about a Jewish department store magnate who deliberately arranges to have himself convicted of several misdeeds so that he can experience the real world of a prison and carry on his own war with the warden in what takes on the dimensions of a burlesque existential allegory. The Dick Gibson Show (1971) uses the host of a radio talk show as a way of showing fancifully what it means to live "at sound barrier," and both Searchers and Seizures (1973) and The Living End (1979) are triptychs of related stories verging on surrealism. The Franchiser (1976), generally considered Elkin's best novel before George Mills, uses the story of a traveling salesman of franchises to show the flattening homogenization of American life. But as usual, what happens in this Elkin novel is less important than the way in which the story is told. Elkin won the National Book Critics Circle Award on two occasions: for George Mills in 1982 and for Mrs. Ted Bliss, his last novel, in 1995. The MacGuffin was a finalist for the 1991 National Book Award for Fiction. Although he enjoyed high critical praise, his books never enjoyed popular success. Elkin died May 31, 1995 of a heart attack. His manuscripts and correspondence are archived in Olin Library at Washington University in St. Louis.

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