Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
From inside the book
Results 1-3 of 27
Page 122
that vocal phrasing affects my responses to this version , but not to Dylan ' s 1974
one , and that vocal inflections and pitch changes on individual words are
important in 1974 but not 1975 . What if I went through each performance line by
line ...
that vocal phrasing affects my responses to this version , but not to Dylan ' s 1974
one , and that vocal inflections and pitch changes on individual words are
important in 1974 but not 1975 . What if I went through each performance line by
line ...
Page 161
... set of assumptions most akin to the “ reader - response " approach , regarding
myself as ideal listener . Such an interdisciplinary merger is rare in academia .
But record reviewers have anticipated nearly all my techniques and conclusions .
... set of assumptions most akin to the “ reader - response " approach , regarding
myself as ideal listener . Such an interdisciplinary merger is rare in academia .
But record reviewers have anticipated nearly all my techniques and conclusions .
Page 172
Thus emerged contour graphs of hearers ' affective responses . ... style marked
by frequent use of the word “ mere ” : popular art replaces aesthetic perception
with mere recognition , replaces aesthetic response with mere reaction , and so
on .
Thus emerged contour graphs of hearers ' affective responses . ... style marked
by frequent use of the word “ mere ” : popular art replaces aesthetic perception
with mere recognition , replaces aesthetic response with mere reaction , and so
on .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
aesthetic ain't album alliteration appear artistic audience Babe Baby Band beat becomes begins Blues Bob Dylan breaks chords closing comes concert continues contrast couplet create culture drums Dylan's voice effect emotional example express eyes fall feel female final follow four fourth give guitar hard harmonica Idiot Wind imagery instrumental Isis it's Italy John lady lead leave less listener live Lonely looking mark meaning measures Miss move narrator narrator's never notes opening oppositions organ outtake patterns performance phrase pitch plays poetic rain recorded refer refrain released repeated response rhyme rock Rolling Stone sad-eyed scene seems sense shift Side sings song song's sound stands stanza structure studio suggests sung tell third throughout tradition understand verse vocal voice Warner Bros woman words York
Bibliographic information
| Title | Performed Literature: Words and Music by Bob Dylan |
| Authors | Betsy Bowden, Bob Dylan |
| Edition | 2, illustrated |
| Publisher | University Press of America, 2001 |
| Original from | the University of Michigan |
| Digitized | 11 May 2010 |
| ISBN | 0761819479, 9780761819479 |
| Length | 263 pages |
| Subjects | › › Literary Criticism / General Music / Instruction & Study / Songwriting |
| Export Citation | BiBTeX EndNote RefMan |