Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page 43
But patriarchal systems set concepts like these into opposition so that “ all that is
good and noble was attributed to the new ... 22 If blackness was once a virtue ,
then the moral oppositions of Western thinking are no more absolute than its
linear ...
But patriarchal systems set concepts like these into opposition so that “ all that is
good and noble was attributed to the new ... 22 If blackness was once a virtue ,
then the moral oppositions of Western thinking are no more absolute than its
linear ...
Page 108
The overall opposition throughout the text , between “ I ” and “ you , ” is not
resolved . ... The second - stanza paraphrase ( DEFE segment ) involves more
complex oppositions , ones not impossible to the rational mind , and the third
stanza ...
The overall opposition throughout the text , between “ I ” and “ you , ” is not
resolved . ... The second - stanza paraphrase ( DEFE segment ) involves more
complex oppositions , ones not impossible to the rational mind , and the third
stanza ...
Page 156
... extensive rhyme and other vowel / consonant patterns , nonsequential
development of ideas and images , and so on . In neither song , however , are
binary oppositions in the text - allowing flexibility in performance - a striking
feature .
... extensive rhyme and other vowel / consonant patterns , nonsequential
development of ideas and images , and so on . In neither song , however , are
binary oppositions in the text - allowing flexibility in performance - a striking
feature .
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Common terms and phrases
aesthetic ain't album alliteration appear artistic audience Babe Baby Band beat becomes begins Blues Bob Dylan breaks chords closing comes concert continues contrast couplet create culture drums Dylan's voice effect emotional example express eyes fall feel female final follow four fourth give guitar hard harmonica Idiot Wind imagery instrumental Isis it's Italy John lady lead leave less listener live Lonely looking mark meaning measures Miss move narrator narrator's never notes opening oppositions organ outtake patterns performance phrase pitch plays poetic rain recorded refer refrain released repeated response rhyme rock Rolling Stone sad-eyed scene seems sense shift Side sings song song's sound stands stanza structure studio suggests sung tell third throughout tradition understand verse vocal voice Warner Bros woman words York
Bibliographic information
| Title | Performed Literature: Words and Music by Bob Dylan |
| Authors | Betsy Bowden, Bob Dylan |
| Edition | 2, illustrated |
| Publisher | University Press of America, 2001 |
| Original from | the University of Michigan |
| Digitized | 11 May 2010 |
| ISBN | 0761819479, 9780761819479 |
| Length | 263 pages |
| Subjects | › › Literary Criticism / General Music / Instruction & Study / Songwriting |
| Export Citation | BiBTeX EndNote RefMan |