Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
From inside the book
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Page 10
The best of Dylan's protest songs not only draw the listener into interaction with
the song but also can make a responsive listener take action outside the song, to
change what is wrong. The songs of political protest that preceded Dylan's ...
The best of Dylan's protest songs not only draw the listener into interaction with
the song but also can make a responsive listener take action outside the song, to
change what is wrong. The songs of political protest that preceded Dylan's ...
Page 18
The "white ladder all covered with water," three lines further on, presents another
image of thwarted hope. Its implications do not become clear until the third stanza
, when a listener pictures the "wave that could drown the whole world" and ...
The "white ladder all covered with water," three lines further on, presents another
image of thwarted hope. Its implications do not become clear until the third stanza
, when a listener pictures the "wave that could drown the whole world" and ...
Page 111
leaves the listener at a high pitch of anticipation, not finality. The song need not
be over; each listener can resolve in her own way the ominous sentiments
expressed by the minor chords of Babe's romantic expectations. A listener is
aided by ...
leaves the listener at a high pitch of anticipation, not finality. The song need not
be over; each listener can resolve in her own way the ominous sentiments
expressed by the minor chords of Babe's romantic expectations. A listener is
aided by ...
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Common terms and phrases
ABCB aesthetic ain't album artistic audience aural Babe Baby Ballad bass Beatles becomes Blonde on Blonde Bob Dylan chord change concert version couplet culture drums Dylan's songs Dylan's voice effect electric guitar emotional feel female Ferry's four fourth stanza Freewheelin Hard Rain harmonica Highway 61 Highway 61 Revisited Idiot Wind Idiot wind Blowing imagery imitate instrumental break Isis Joan Baez John Wesley Harding listener listener's melody meter Miss Lonely musical beat musicians narrative narrator narrator's Newport 65 organ chords outtake Oxford Town patterns performance phrase piano pitch plays poetic rain's a-gonna fall recorded refrain released rhyme word riff rock Rolling Stone Sad-Eyed Lady scene second stanza Shelter shift singers sings someone song's sound stanza studio version Subterranean Homesick Blues suggests sung lines sweet lady syllables tambourine tape third stanza throughout the song unresolved verse vowel woman Woody Guthrie words and music
Bibliographic information
| Title | Performed Literature: Words and Music by Bob Dylan G - Reference, Information and Interdisciplinary Subjects Series |
| Authors | Betsy Bowden, Bob Dylan |
| Edition | 2, illustrated |
| Publisher | University Press of America, 2001 |
| Original from | the University of Michigan |
| Digitized | 11 May 2010 |
| ISBN | 0761819479, 9780761819479 |
| Length | 263 pages |
| Subjects | › › Literary Criticism / General Music / Instruction & Study / Songwriting |
| Export Citation | BiBTeX EndNote RefMan |