Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page 20
Instead , tension is resolved by a closing sound effect of pouring rain - one that
would remind many listeners of early - sixties sentimental songs , like “ Rhythm of
... Imitative sound effects also appear after every line of lyrics in the third stanza .
Instead , tension is resolved by a closing sound effect of pouring rain - one that
would remind many listeners of early - sixties sentimental songs , like “ Rhythm of
... Imitative sound effects also appear after every line of lyrics in the third stanza .
Page 29
harmonica , the latter intertwining with Scarlet Rivera ' s violin , while bells and
other unfamiliar sounds add to the music ' s eerie , unsettling effect . The
arrangement of “ Shelter from the Storm ” is soothing , not unsettling , using only
two ...
harmonica , the latter intertwining with Scarlet Rivera ' s violin , while bells and
other unfamiliar sounds add to the music ' s eerie , unsettling effect . The
arrangement of “ Shelter from the Storm ” is soothing , not unsettling , using only
two ...
Page 68
His 1966 version , of course , does not lose its comforting effect for a more
musically sophisticated listener in a later decade . The carefulness with which the
1966 harmonica eases the traumas of breaking relationships , umbilical cords ,
and ...
His 1966 version , of course , does not lose its comforting effect for a more
musically sophisticated listener in a later decade . The carefulness with which the
1966 harmonica eases the traumas of breaking relationships , umbilical cords ,
and ...
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Common terms and phrases
aesthetic ain't album alliteration appear artistic audience Babe Baby Band beat becomes begins Blues Bob Dylan breaks chords closing comes concert continues contrast couplet create culture drums Dylan's voice effect emotional example express eyes fall feel female final follow four fourth give guitar hard harmonica Idiot Wind imagery instrumental Isis it's Italy John lady lead leave less listener live Lonely looking mark meaning measures Miss move narrator narrator's never notes opening oppositions organ outtake patterns performance phrase pitch plays poetic rain recorded refer refrain released repeated response rhyme rock Rolling Stone sad-eyed scene seems sense shift Side sings song song's sound stands stanza structure studio suggests sung tell third throughout tradition understand verse vocal voice Warner Bros woman words York
Bibliographic information
| Title | Performed Literature: Words and Music by Bob Dylan |
| Authors | Betsy Bowden, Bob Dylan |
| Edition | 2, illustrated |
| Publisher | University Press of America, 2001 |
| Original from | the University of Michigan |
| Digitized | 11 May 2010 |
| ISBN | 0761819479, 9780761819479 |
| Length | 263 pages |
| Subjects | › › Literary Criticism / General Music / Instruction & Study / Songwriting |
| Export Citation | BiBTeX EndNote RefMan |