Seeing Beyond the Word

Front Cover
Finney
Wm. B. Eerdmans Publishing, May 12, 1999 - Art - 540 pages
These historical studies - complemented by 174 black-and-white photographs and 46 color plates - seek to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. Bringing fresh perspectives to the subject of Calvinism and the visual arts, Seeing beyond the Word will be a valuable resource for readers with interests ranging from art history to culture studies, from Reformed history to the relationship between worship and church architecture.

From inside the book

Contents

A Theological Introduction
1
Calvinism as a Culture? Preliminary Remarks on Calvinism and the Visual Arts
19
Puritan and Nonconformist Meetinghouses in England
49
Huguenot Goldsmiths in England
83
DISCUSSION
128
An Introduction to the Architecture of Protestant Temples Constructed in France before the Revocation of the Edict of Nantes
133
Calvinism and the Visual Arts in Southern France 1561 to 1685
163
The Reformed Churches of France and the Visual Arts
199
Sixteenth and SeventeenthCentury Netherlands
395
DISCUSSION
419
The First Congregational Church of Hartford Connecticut
427
DISCUSSION
451
From Protestant to Catholic Plain Style
455
DISCUSSION
474
Three Case Studies
477
DISCUSSION
503

A SixteenthCentury Limoges Enamel Tazza Illustrating the Judgment of Moses
229
Representation Image or Icon?
241
A Note on de Bezes Icones
251
Observations on the Arts of the Huguenots in BrandenburgPrussia
267
DISCUSSION
295
Art and Architecture in the Hungarian Reformed Church
299
Calvinism and the Emergence of a Dutch SeventeenthCentury Landscape Art A Critical Evaluation
341
Netherlandish Reformed Traditions in the Graphic Arts 15501630
367
Comments on the New World Presentations
507
Contributors
513
Photo Credits
515
General Index
523
Architecture Index
529
Artist Index
533
Iconography Index
537
Copyright

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