The Shakspere Allusion-book: A Collection of Allusions to Shakspere from 1591 to 1700, Volume 1John James Munro Chatto & Windus, 1909 |
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Page xx
... Thomas Freeman , the epigrammist , declared him equal to the great men of that and all former ages.1 George Turbervile in 1570 praised Arthur Brooke , the author of that long rambling poem Romeus and Juliet , in the highest terms . Not ...
... Thomas Freeman , the epigrammist , declared him equal to the great men of that and all former ages.1 George Turbervile in 1570 praised Arthur Brooke , the author of that long rambling poem Romeus and Juliet , in the highest terms . Not ...
Page xxviii
... Thomas Heywood writes , in 1635 , of the " inchanting Quill " of " mellifluous Shake - speare " ; Weever calls the poet " honie - tong'd " ; William Barkstead , in 1607 , gives Shakspere the laurel , and in self- depreciation , takes ...
... Thomas Heywood writes , in 1635 , of the " inchanting Quill " of " mellifluous Shake - speare " ; Weever calls the poet " honie - tong'd " ; William Barkstead , in 1607 , gives Shakspere the laurel , and in self- depreciation , takes ...
Page xlvii
... Thomas Betterton , strove after higher ideals , and was greatly instrumental through his acting in bringing about the first systematic studies in Shakspere . In discussing this latter part of the century , it will be convenient to adopt ...
... Thomas Betterton , strove after higher ideals , and was greatly instrumental through his acting in bringing about the first systematic studies in Shakspere . In discussing this latter part of the century , it will be convenient to adopt ...
Page lxiv
... Othello were untouched . Before the commencement of the recognised dramatic alterations , several alterations and adaptations of various plays had been made . Thomas Jordan in the Royal Arbor ( 1660-4 ? ) lxiv INTRODUCTION .
... Othello were untouched . Before the commencement of the recognised dramatic alterations , several alterations and adaptations of various plays had been made . Thomas Jordan in the Royal Arbor ( 1660-4 ? ) lxiv INTRODUCTION .
Page lxv
... Thomas Duffett- " hog " Duffett , as Dr. Furnivall called him , and once a milliner , -mutilated and burlesqued parts of Macbeth in his Empress of Morocco ; and in 1675 he degraded The Tempest , through its Dryden and Davenant version ...
... Thomas Duffett- " hog " Duffett , as Dr. Furnivall called him , and once a milliner , -mutilated and burlesqued parts of Macbeth in his Empress of Morocco ; and in 1675 he degraded The Tempest , through its Dryden and Davenant version ...
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Common terms and phrases
A. B. Grosart ALLN allusion Beaumont Ben Jonson beſt borrowings Collier Comedy copy death doth Dryden Duke Dyce Eastward Hoe edition English extract Falstaff fame felfe fhall firſt Fletcher Folio fome fuch Grosart Hamlet hath haue Henry Henry IV Heywood honour imitated Iohn J. P. Collier JOHN MARSTON Jonson Julius Cæsar King Lady lines London Lord loue Lucrece Malone Marston merry Middleton moſt muſt night Oldcastle Othello passage phrase play Players Playes Poems poet prefixed Prince printed Quarto Queen quoted reference Reprinted Richard Richard III Romeo and Juliet says scene Shakespeare Shakspere Shakspere's ſhall ſhould Sir John Sonnets ſpeake speech Stage stanza thee theſe Thomas THOMAS HEYWOOD thoſe thou Tragedy unto Venus and Adonis verses vpon whofe whoſe William William Shakespeare words write written
Popular passages
Page 328 - To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
Page 344 - I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chapfallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. Prithee, Horatio, tell me one thing. Hor. What's that, my lord? Ham. Dost thou think Alexander looked o' this fashion i
Page xxv - With the best gamesters : what things have we seen Done at the Mermaid; heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life...
Page 157 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Page 190 - Take, oh take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn; But my kisses bring again, bring again, Seals of love, but seal'd in vain. seal'd in vain.
Page 290 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, Brutus will start a spirit as soon as Caesar.
Page 126 - The first thing we do, let's kill all the ' lawyers. Cade. Nay, that I mean to do. Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment ? that parchment, being scribbled o'er, should undo a man...
Page 238 - Slave, I have set my life upon a cast, And I will stand the hazard of the die: I think, there be six Richmonds in the field ; Five have I slain to-day, instead of him: — A horse ! a horse ! my kingdom for a horse ! [Exeunt.
Page 147 - All causes shall give way ; I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted, ere they may be scann'd.
Page 368 - Think, my lord ! By heaven, he echoes me, As if there were some monster in his thought Too hideous to be shown.