 | Francis Godolphin Waldron, Sylvester Harding - Great Britain - 1795 - 298 pages
...the Cock-pit, after Alleyn's death, he says : '' We know not 'how our play may pass this stage, " Bui by the best of poets* in that age, " The Malta Jew had being, and was made ; " And he, then by Ike best of actors* played. " In Hero and Leaaider one did gain - " A lasting memory; in Tamerlane,... | |
 | Stephen Kemble - English poetry - 1809 - 336 pages
...BARABAS in Marlow's Jew of Malta, of whom it was said by old Heywood, in his Prologue to that Play, We know not how our play may pass this stage, But...being, and was made; And he, then by the best of Actors played. In Hero and Leander, one did gain A lasting memory ; in Tamerlane, This Jew, with others many,... | |
 | Stephen George Kemble - 1809 - 338 pages
...BARABAS in Marlow's Jew of Malta, of whom it was said by old Heywood, in his Prologue to that Play, We know not how our play may pass this stage, But...being, and was made; And he, then by the best of Actors played. In Hero and Leander, one did gain A lasting memory ; in Tamerlane, T'liis. Jew, with others... | |
 | Walter Scott - English drama - 1810 - 618 pages
...ear or sight, We only act, and speak, what others write. THE PROLOGUE TO THE STAGE AT THE COCKPIT. We know not how our play may pass this stage, But...that age, The Malta Jew had being, and was made; And lie, then by the best of actors t played. In Hero and Leander, »ne did gain A lastin» memory ; in... | |
 | Walter Scott - English drama - 1810 - 618 pages
...write. THE PROLOGUE TO THE STAGE AT THE COCKPIT. We know not how our play may pass this stage, But bv the best of poets* in that age, The Malta Jew had...and was made ; And he, then by the best of actors t played. In Hero and Leander, one did gain A lasting memory ; in Tamerlane, This Jew, with others... | |
 | Walter Scott - English drama - 1810 - 620 pages
...PROLOGUE TO THE STAGE AT THE COCKPIT. We knovr not hour our play may pass this stage, But by the beet of poets * in that age, The Malta Jew had being, and was made; And he, then by the best of actors f played. In Hern muí l.iMiiiliT, one Hid gain A lastiii"; memory ; in Tamerlane, * This Jew, with... | |
 | David Erskine Baker - Dramatists, English - 1812 - 418 pages
...the part of the Jew, and is thus mentioned with Marloe, by Heywood in his prologue, at the Cockpit: " We know not how our play may pass this stage; " But by the best of poets in that age JEW " The Malta Jew had being, and was ma tie; And he then by the test of actors play'd. In ' Hero... | |
 | David Erskine Baker - English drama - 1812 - 444 pages
...part of the Jew, and is thus mentioned with Marloe, by Heywood in his prologue, at the Cockpit : " We know not how our play may pass this stage ; « But by the bat of potts in that age JEW JEW •* The Malta Jew had being, and waa made; " And he then by the ten... | |
 | David Erskine Baker - English drama - 1812 - 422 pages
...part of the Jew, and is thus mentioned with 'Marloe, by Heywood in his prologue, at the Cockpit: " We know not how our play may pass this stage ; ' " But by the tat of poets in that age JE f The Malta Jew had being, and was made; « c And he then by the *«/ of... | |
 | Robert Dodsley - English drama - 1825 - 456 pages
...ear or sight, We only act, and speak, what others write. THE PROLOGUE TO THE STAGE AT THE COCK-PIT. We know not how our play may pass this stage, But by the best of poets* in that age, Tlte Malta Jew had being, and was made ; And he, then by the best of actors^- play'd. In Hero and Leauder,... | |
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THE PROLOGUE TO THE STAGE AT THE COCK-PIT WE know not how our play may pass this stage, But by the best of poets in that age The Malta- Jew had being and was made ; And he then by the best of actors play'd: In Hero and Leander one did gain A lasting memory... 
