Julius Caesar'Cry havoc and let slip the dogs of war, |
From inside the book
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... , more or less circular structures, open to the air, with a thrust stage surmounted by a canopy and jutting into the area where spectators who paid one penny stood, and surrounded by galleries where it was possible to be seated on.
... , more or less circular structures, open to the air, with a thrust stage surmounted by a canopy and jutting into the area where spectators who paid one penny stood, and surrounded by galleries where it was possible to be seated on.
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... stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 the company also acquired the use of the Blackfriars ...
... stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 the company also acquired the use of the Blackfriars ...
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... stage and begun to harangue the 'idle creatures' who are wasting their time with something so trivial as a play. As the scene develops it becomes clear, as most playgoers must always really have known, that Flavius is a tribune from ...
... stage and begun to harangue the 'idle creatures' who are wasting their time with something so trivial as a play. As the scene develops it becomes clear, as most playgoers must always really have known, that Flavius is a tribune from ...
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... stage has given little overt attention to politics as such: the scene is much more about personalities than about the business of government. In that respect we don't have the information to make the judgement that we seem to be ...
... stage has given little overt attention to politics as such: the scene is much more about personalities than about the business of government. In that respect we don't have the information to make the judgement that we seem to be ...
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... stage as they are perceived by Cassius. Our grasp of the incipient political conict becomes more secure. And then the subject of anti-theatricalism comes up again, when Caesar remarks on Cassius' philistine attitudes: 'He loves no plays ...
... stage as they are perceived by Cassius. Our grasp of the incipient political conict becomes more secure. And then the subject of anti-theatricalism comes up again, when Caesar remarks on Cassius' philistine attitudes: 'He loves no plays ...
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Common terms and phrases
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong