Julius Caesar'Cry havoc and let slip the dogs of war, |
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... perhaps recognizing the need for an alternative career, he wrote and published the narrative poems Venus and Adonis and The Rape of Lucrece. These are the only works we can be certain that Shakespeare himself was responsible for putting ...
... perhaps recognizing the need for an alternative career, he wrote and published the narrative poems Venus and Adonis and The Rape of Lucrece. These are the only works we can be certain that Shakespeare himself was responsible for putting ...
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... perhaps with Thomas Nashe (1567– c. 1601) in Henry VI, Part I and with George Peele (1556–96) in Titus Andronicus. And towards the end he collaborated with George Wilkins ( . 1604–8) in Pericles, and with his younger colleagues Thomas ...
... perhaps with Thomas Nashe (1567– c. 1601) in Henry VI, Part I and with George Peele (1556–96) in Titus Andronicus. And towards the end he collaborated with George Wilkins ( . 1604–8) in Pericles, and with his younger colleagues Thomas ...
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... perhaps because the vogue for sonnet sequences, which peaked in the 1590s, had passed by then. They were not reprinted until 1640, and then only in garbled form along with poems by other writers. Happily, in 1623, seven years after he ...
... perhaps because the vogue for sonnet sequences, which peaked in the 1590s, had passed by then. They were not reprinted until 1640, and then only in garbled form along with poems by other writers. Happily, in 1623, seven years after he ...
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... (perhaps with Thomas Nashe) Titus Andronicus (perhaps with George Peele) Richard III Venus and Adonis (poem) The Rape of Lucrece (poem) The Comedy of Errors Love's Labour's Lost Edward III (authorship uncertain, not included in 1592 1592 ...
... (perhaps with Thomas Nashe) Titus Andronicus (perhaps with George Peele) Richard III Venus and Adonis (poem) The Rape of Lucrece (poem) The Comedy of Errors Love's Labour's Lost Edward III (authorship uncertain, not included in 1592 1592 ...
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... perhaps Jonson had missed the point: such a line would have been a coherent part of the design of the play, another of the magnificent rhetorical non sequiturs with which Caesar, to the very end of his life, tries to get his own way ...
... perhaps Jonson had missed the point: such a line would have been a coherent part of the design of the play, another of the magnificent rhetorical non sequiturs with which Caesar, to the very end of his life, tries to get his own way ...
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action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong