Julius Caesar'Cry havoc and let slip the dogs of war, |
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... Never shackled by convention, he offered his actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which ...
... Never shackled by convention, he offered his actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which ...
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... never have read him. They have inspired composers of songs, orchestral music and operas; painters and sculptors; poets, novelists and film-makers. Allusions to him appear in pop songs, in advertisements and in television shows. Some of ...
... never have read him. They have inspired composers of songs, orchestral music and operas; painters and sculptors; poets, novelists and film-makers. Allusions to him appear in pop songs, in advertisements and in television shows. Some of ...
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... never wrong but with just cause'. The line appears in the published text as 'Know, Caesar doth not wrong, nor without cause | Will he be satisfied' (III.1.47–8), and the anomaly is sometimes explained as a sheepish revision in response ...
... never wrong but with just cause'. The line appears in the published text as 'Know, Caesar doth not wrong, nor without cause | Will he be satisfied' (III.1.47–8), and the anomaly is sometimes explained as a sheepish revision in response ...
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... never see again. (The Flavius who briey appears in Brutus' army in Act V, scene 4 need not be the same man; in any event, he is based on a different historical personage.) That's important, because personalities are only one element in ...
... never see again. (The Flavius who briey appears in Brutus' army in Act V, scene 4 need not be the same man; in any event, he is based on a different historical personage.) That's important, because personalities are only one element in ...
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action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong