Julius Caesar'Cry havoc and let slip the dogs of war, |
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... . 1.30), present it in a way that imaginatively engages the people. Often this is more a matter of winning hearts than minds: such speeches usually sound impressive in the heat of the moment, but will less Introduction.
... . 1.30), present it in a way that imaginatively engages the people. Often this is more a matter of winning hearts than minds: such speeches usually sound impressive in the heat of the moment, but will less Introduction.
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... matters: the play demonstrably doesn't correspond in every detail to what historians know of Rome in the first century BC, but what matters in a drama is how far the world onstage differs from the familiar, day-to-day lives of its ...
... matters: the play demonstrably doesn't correspond in every detail to what historians know of Rome in the first century BC, but what matters in a drama is how far the world onstage differs from the familiar, day-to-day lives of its ...
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... matter whether the tribunes are silenced by impeachment or execution: either way, it gives strong support to the view of Caesar as a dangerous tyrant-in-waiting. But for an audience which has bristled against the characters in the ...
... matter whether the tribunes are silenced by impeachment or execution: either way, it gives strong support to the view of Caesar as a dangerous tyrant-in-waiting. But for an audience which has bristled against the characters in the ...
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... matter is, rather, the question of who should govern, and by what right: Brutus and Cassius stand for senatorial rule, and the problem of Caesar is the encroachment of autocracy. The conict is often expressed in terms of two different ...
... matter is, rather, the question of who should govern, and by what right: Brutus and Cassius stand for senatorial rule, and the problem of Caesar is the encroachment of autocracy. The conict is often expressed in terms of two different ...
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action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong