Julius Caesar'Cry havoc and let slip the dogs of war, |
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... leaves (eight pages). None of them shows any sign that he was involved in their publication. For him, performance was the primary means of publication. The most frequently reprinted of his works were the non-dramatic poems – the erotic ...
... leaves (eight pages). None of them shows any sign that he was involved in their publication. For him, performance was the primary means of publication. The most frequently reprinted of his works were the non-dramatic poems – the erotic ...
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... leaves (four pages). Some of the quarto editions are badly printed, and the fact that some plays exist in two, or even three, early versions creates problems for editors. These are discussed in the Account of the Text in each volume of ...
... leaves (four pages). Some of the quarto editions are badly printed, and the fact that some plays exist in two, or even three, early versions creates problems for editors. These are discussed in the Account of the Text in each volume of ...
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action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong