Julius Caesar'Cry havoc and let slip the dogs of war, |
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... give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English histories) is set even partly in England ...
... give the impression of a superabundant reality, he is not a naturalistic dramatist. None of his plays is explicitly set in his own time. The action of few of them (except for the English histories) is set even partly in England ...
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... give him something he must apologize for when Mark Antony arrives on the scene: Though now we must appear bloody and cruel, As by our hands and this our present act You see we do, yet see you but our hands And this the bleeding business ...
... give him something he must apologize for when Mark Antony arrives on the scene: Though now we must appear bloody and cruel, As by our hands and this our present act You see we do, yet see you but our hands And this the bleeding business ...
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... gives the audience direct experience of this aspect of popular politics; but it does this using men who are very minor players, and whom we shall never see again. (The Flavius who briey appears in Brutus' army in Act V, scene 4 need not ...
... gives the audience direct experience of this aspect of popular politics; but it does this using men who are very minor players, and whom we shall never see again. (The Flavius who briey appears in Brutus' army in Act V, scene 4 need not ...
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... gives strong support to the view of Caesar as a dangerous tyrant-in-waiting. But for an audience which has bristled against the characters in the previous scene, the possibility of their death induces a distinctive, uncomfortable ...
... gives strong support to the view of Caesar as a dangerous tyrant-in-waiting. But for an audience which has bristled against the characters in the previous scene, the possibility of their death induces a distinctive, uncomfortable ...
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action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong