Julius Caesar'Cry havoc and let slip the dogs of war, |
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... audiences. He is the greatest of poets, but he is essentially a dramatic poet. Though his plays have much to offer to readers, they exist fully only in performance. In these volumes we offer individual introductions, notes on language ...
... audiences. He is the greatest of poets, but he is essentially a dramatic poet. Though his plays have much to offer to readers, they exist fully only in performance. In these volumes we offer individual introductions, notes on language ...
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... audiences have responded to challenges and rewards offered by the plays. The Penguin Shakespeare series aspires to remove obstacles to understanding and to make pleasurable the reading of the work of the man who has done more than most ...
... audiences have responded to challenges and rewards offered by the plays. The Penguin Shakespeare series aspires to remove obstacles to understanding and to make pleasurable the reading of the work of the man who has done more than most ...
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... audience management through public oratory: politicians win and lose power according to their ability to inuence the Roman people with their rhetoric. Brutus the conspirator and Caesar the ruler whom he helps to assassinate both ...
... audience management through public oratory: politicians win and lose power according to their ability to inuence the Roman people with their rhetoric. Brutus the conspirator and Caesar the ruler whom he helps to assassinate both ...
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... audience. So far we have witnessed rhetoric that is at best semi-public, directed at particular groups of people – petitioners, colleagues, potential enemies – rather than at a mass audience. But the two great political speeches of this.
... audience. So far we have witnessed rhetoric that is at best semi-public, directed at particular groups of people – petitioners, colleagues, potential enemies – rather than at a mass audience. But the two great political speeches of this.
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... audience; and the other is not to play it to the audience. The reason for the paradox is the doubleness of viewpoint which the play seems to demand of us. If the actor playing Mark Antony delivers his speech to the audience then, quite ...
... audience; and the other is not to play it to the audience. The reason for the paradox is the doubleness of viewpoint which the play seems to demand of us. If the actor playing Mark Antony delivers his speech to the audience then, quite ...
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Common terms and phrases
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong