Julius Caesar'Cry havoc and let slip the dogs of war, |
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... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
... actors the alternation between serious and comic modes from play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his ...
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... actor and writer in the provinces and London. The London theatres closed because of plague in 1593 and 1594; and during these years, perhaps recognizing the need for an alternative career, he wrote and published the narrative poems ...
... actor and writer in the provinces and London. The London theatres closed because of plague in 1593 and 1594; and during these years, perhaps recognizing the need for an alternative career, he wrote and published the narrative poems ...
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... actor often played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation ...
... actor often played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation ...
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... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 ...
... Actors entered through doors in the back wall of the stage. Above it was a balconied area that could represent the walls of a town (as in King John), or a castle (as in Richard II), and indeed a balcony (as in Romeo and Juliet). In 1609 ...
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... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...
... actor David Garrick (1717–79) organized a spectacular jubilee in Stratford in 1769 that Shakespeare began to be regarded as a transcendental genius. Garrick's idolatry prefigured the enthusiasm of critics such as Samuel Taylor Coleridge ...
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Common terms and phrases
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong