Queen Elizabeth I: Past and PresentThis work marks the 400th anniversary of the death of one of England's greatest monarchs, a highly intelligent and successful ruler. The volume appeals to everyone interested in the charismatic character of Elizabeth I, her time and cultural afterlife. Contributors focus on important aspects of Elizabeth's subtle and resourceful political power and the longstanding struggle she faced at home and abroad as well as the threats posed to her realm. This edition presents a series of essays about fictional representations of Queen Elizabeth I in literature, music, and film. Articles illuminate the fascinating story of her numerous afterlives and their significance for the cultural history of England, its sense of identity and psyche. Essays investigate the ceremony, festivities, and dance practices at her court and bring to life the cultural significance of this colorful and extraordinary monarch. Christa Jansohn is professor of British culture at the University of Bamberg, Germany. |
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... Printed Accounts of Elizabethan Festivals ..... .61 AXEL STÄHLER Edmund Spenser's Gloriana : Elizabeth as " Fairie Queene " DIETER MEHL 89 Dancing at the Court of Queen Elizabeth 101 BARBARA RAVELHOFER " Time stands still with gazing on ...
... Printed Accounts of Elizabethan Festivals ..... .61 AXEL STÄHLER Edmund Spenser's Gloriana : Elizabeth as " Fairie Queene " DIETER MEHL 89 Dancing at the Court of Queen Elizabeth 101 BARBARA RAVELHOFER " Time stands still with gazing on ...
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... Printed Accounts of Elizabethan Festi- vals " he argues that in Early Modern Europe printed accounts of festivals developed into a varied but distinct literary genre which flourished espe- cially on the Continent . But in their function ...
... Printed Accounts of Elizabethan Festi- vals " he argues that in Early Modern Europe printed accounts of festivals developed into a varied but distinct literary genre which flourished espe- cially on the Continent . But in their function ...
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... printed four times between 1606 and 1633. On the face of it , the Queen herself plays only a minor part in the story : it is not until two thirds of the performance are over that she actually enters the stage . Up to that point the text ...
... printed four times between 1606 and 1633. On the face of it , the Queen herself plays only a minor part in the story : it is not until two thirds of the performance are over that she actually enters the stage . Up to that point the text ...
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Anne Armada belcanto beth blood Cambridge Carole Levin Catholic century character church Churchyard costume court culture dance death Donizetti Dowland Drake dramatic dreams Dutch Earl Early Modern edition Edward de Vere Elisabetta Eliza Elizabethan England England's Elizabeth entertainments Essex execution fact Faerie Queene festival book Gloriana Gresham Helen Watanabe-O'Kelly Henry VIII Heywood's Hobson Ibid Italian Jacobean James John John Dowland Kenilworth King Lady Langham Leicester Leicester's Letter literary London Lucrecia Majestie Mary Stuart Michael Dobson monarch opera opera seria Oxford performance play plot poem poet political portrait Princely Pleasures Princess printed Protestant Queen Elizabeth Raleigh readers regina d'Inghilterra reign religious Renaissance Robert Roberto Devereux role Rossini royal scene seems Shakespeare song Spain Spanish speech Spenser's stage stories system of reference theatre Thomas Tilbury tion tradition translation Tudor Vere Newsletter verse Virgin Queen Vondel Watanabe-O'Kelly William woman
Popular passages
Page 56 - Her own shall bless her: Her foes shake like a field of beaten corn, And hang their heads with sorrow. Good grows with her; In her days every man shall eat in safety Under his own vine what he plants, and sing The merry songs of peace to all his neighbours.
Page 56 - Let me speak, sir, For heaven now bids me ; and the words I utter Let none think flattery, for they'll find 'em truth. This royal infant — heaven still move about her! — Though in her cradle, yet now promises Upon this land a thousand thousand blessings, Which time shall bring to ripeness...
Page 50 - Such duty as the subject owes the prince, Even such a woman oweth to her husband; And when she is froward, peevish, sullen, sour, And not obedient to his honest will, What is she but a foul contending rebel And graceless traitor to her loving lord?
Page 156 - The Life and Death of Sir Thomas Gresham, with the Building of the Royal Exchange, or The Story of Queen Eleanor, with the Rearing of London Bridge upon Woolsacks!
Page 134 - tis most certain, Iras. Saucy lictors Will catch at us, like strumpets ; and scald rhymers Ballad us out o' tune : the quick comedians Extemporally will stage us, and present Our Alexandrian revels : Antony Shall be brought drunken forth, and I shall see Some squeaking Cleopatra boy my greatness I
Page 91 - I doe otherwise shadow her. For considering she beareth two persons, the one of a most royall queene or empresse, the other of a most vertuous and beautifull Lady...
Page 218 - Land of Hope and Glory, Mother of the Free, How shall we extol thee, Who are born of thee? Wider still and wider shall thy bounds be set; God, who made thee mighty, make thee mightier yet; God, who made thee mighty, make thee mightier yet.
Page 61 - Speeches Delivered to Her Maiestie this last Progresse at the Right Honorable the Lady Rvssels, at Bissam, the Right Honorable the Lorde Chandos at Sudley, at the Right Honorable the Lord Norris at Ricorte (Oxford, 1592) may be found hi the Brit.
Page 92 - And raise my thoughtes, too humble and too vile, To thinke of that true glorious type of thine, The argument of mine afflicted stile : The which to heare vouchsafe, O dearest dread, a while.