Shakespeare: Text, Subtext, and ContextRonald L. Dotterer Seventeen critics are represented in this collection of essays designed to illustrate the vitality and range of traditional and new approaches to Shakespeare studies. |
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Page 32
... remains on subtext , the full development of character , and the interaction among characters . For Stanislavski , as for most actors and directors , the printed text is no more a finished product than is a musical score . Both require ...
... remains on subtext , the full development of character , and the interaction among characters . For Stanislavski , as for most actors and directors , the printed text is no more a finished product than is a musical score . Both require ...
Page 62
... remains a photograph of it ( unfortunately not very good ) from which we can see the general effect . Except for his filling - in at the sides of the stage , Semper has kept strictly to the conditions and dimensions of the contract . In ...
... remains a photograph of it ( unfortunately not very good ) from which we can see the general effect . Except for his filling - in at the sides of the stage , Semper has kept strictly to the conditions and dimensions of the contract . In ...
Page 91
... remains a tragedy , for as they see it Macbeth evokes and retains an audience's sympathy until the end . No matter what else it may tell about the play itself , the criticism of Macbeth makes one thing clear : if audiences ( or critics ) ...
... remains a tragedy , for as they see it Macbeth evokes and retains an audience's sympathy until the end . No matter what else it may tell about the play itself , the criticism of Macbeth makes one thing clear : if audiences ( or critics ) ...
Contents
Foreword | 9 |
Subtext in Shakespeare | 31 |
The Recovery of the Elizabethan and Jacobean Playhouses | 56 |
Copyright | |
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