Shakespeare: Text, Subtext, and ContextRonald L. Dotterer Seventeen critics are represented in this collection of essays designed to illustrate the vitality and range of traditional and new approaches to Shakespeare studies. |
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Page 65
... never really existed . In a study of the reconstruction of Elizabethan theaters , it is an element that perhaps one ought not to forget . So far , except for Semper's drawings of the Fortune , we have been concerned chiefly with ...
... never really existed . In a study of the reconstruction of Elizabethan theaters , it is an element that perhaps one ought not to forget . So far , except for Semper's drawings of the Fortune , we have been concerned chiefly with ...
Page 173
... never been adopted , despite its graphic similarity to rope's : in terms of purely mechanical criteria of " ease of misreading , " iapes is the most plausible of the three readings under discussion , and one of the most plausible ...
... never been adopted , despite its graphic similarity to rope's : in terms of purely mechanical criteria of " ease of misreading , " iapes is the most plausible of the three readings under discussion , and one of the most plausible ...
Page 221
... never tired of the plays and why , since he got over his first bad notice from Greene , Shakespeare has been such an as- tonishingly popular success . Because with Shakespeare it is not the philosophy or the psychology or the realistic ...
... never tired of the plays and why , since he got over his first bad notice from Greene , Shakespeare has been such an as- tonishingly popular success . Because with Shakespeare it is not the philosophy or the psychology or the realistic ...
Contents
Foreword | 9 |
Subtext in Shakespeare | 31 |
The Recovery of the Elizabethan and Jacobean Playhouses | 56 |
Copyright | |
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action actors All's audience's Bertram Bott Celia central audience century character Cinthio conjecture context Coriolanus Cressida critics crux death Desdemona Diana Diomedes downstage dramatic dramatist Duke Senior e'en Elizabethan stage Elizabethan theater emendation Emilia English essay Falstaff father feel forsake Freud Globe Globe playhouse Gloucester Greek Hamlet headless bear Henry Henry VI Henry's homeopathy Hotspur husband Iago iapes Ibid interpretation John Julius Caesar King Lear king's Lady language literature London lord Lucilius Macbeth Malvolio marriage misread modern hero murder option Orlando Othello parallels patriarchy play's playhouse playwright poet Richard Romantics rope's Rosalind says scarre scene sense sexual Shake Shakespeare Shakespeare's plays side audiences speak speare speare's speech Sprigg Stratford Studies subtext suggests surance Susquehanna University theatrical Thersites thing thou thought Timon of Athens tion Toby toyes tragedy tragic hero Troilus Twelfth Night University Press vowes wife William William Shakespeare woman women words