Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 80Gale Research Company, 1984 |
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Page 118
... language " is to say that the unconscious is structured as a language ; it is the set of rules that al- lows us to recognize ourselves in the Other , as gram- matically correct and incorrect in place or out of place in the ...
... language " is to say that the unconscious is structured as a language ; it is the set of rules that al- lows us to recognize ourselves in the Other , as gram- matically correct and incorrect in place or out of place in the ...
Page 144
... language does more than sug- gest that certain characters are adept at calculating their debts - it connects the language of economic value to the question of disputed sovereignty . Rather than consider the admittedly obtrusive language ...
... language does more than sug- gest that certain characters are adept at calculating their debts - it connects the language of economic value to the question of disputed sovereignty . Rather than consider the admittedly obtrusive language ...
Page 230
... language gets out of Macbeth's intended control ( p . 40 ) . 28. Shakespearean Representation ( Princeton : Prince- ton Univ . Press , 1977 ) , p . 134. Stephen Orgel has suggested in correspondence that emphasis on " born " in the ...
... language gets out of Macbeth's intended control ( p . 40 ) . 28. Shakespearean Representation ( Princeton : Prince- ton Univ . Press , 1977 ) , p . 134. Stephen Orgel has suggested in correspondence that emphasis on " born " in the ...
Contents
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
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action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words