Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 80Gale Research Company, 1984 |
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Page 127
... kind of pressure on our present culture . Shake- speare and his audience were interested in the political struggles of the fourteenth and fifteenth centuries because these turbulent times allowed them to make sense of their own national ...
... kind of pressure on our present culture . Shake- speare and his audience were interested in the political struggles of the fourteenth and fifteenth centuries because these turbulent times allowed them to make sense of their own national ...
Page 174
... kind . Several times in The Poetics Aristotle speaks about Tragedy's " natural form " , and he frequently reminds us not to expect of Tragedy " every kind of pleasure . . . but only its own proper pleasure . " We discover finally that ...
... kind . Several times in The Poetics Aristotle speaks about Tragedy's " natural form " , and he frequently reminds us not to expect of Tragedy " every kind of pleasure . . . but only its own proper pleasure . " We discover finally that ...
Page 269
... Kind of Pre - Contract Had Angelo ? A Note on Some Non - Problems in Elizabethan Drama , " College English , 36 ( 1974-75 ) , 173-79 . To indicate the kind of debate this question has generated , Schan- zer argues that the Claudio ...
... Kind of Pre - Contract Had Angelo ? A Note on Some Non - Problems in Elizabethan Drama , " College English , 36 ( 1974-75 ) , 173-79 . To indicate the kind of debate this question has generated , Schan- zer argues that the Claudio ...
Contents
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
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action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words