Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 80Gale Research Company, 1984 |
From inside the book
Results 1-3 of 46
Page 180
... deed ' , are words stirred into vivid life by an imagina- tion dwelling profoundly on the fatal business of ' bloody execution ' , or indeed any kind of execution . They carry the play's cogent exploration of what it is to be a separate ...
... deed ' , are words stirred into vivid life by an imagina- tion dwelling profoundly on the fatal business of ' bloody execution ' , or indeed any kind of execution . They carry the play's cogent exploration of what it is to be a separate ...
Page 181
... DEED ' As Act II opens , the incantations stop while Banquo evokes the magically profound ' pleasure ' and ' content ' of Duncan's soul , but after this beautiful linguistic interlude the phantom dagger appears . It lures on the ' heat ...
... DEED ' As Act II opens , the incantations stop while Banquo evokes the magically profound ' pleasure ' and ' content ' of Duncan's soul , but after this beautiful linguistic interlude the phantom dagger appears . It lures on the ' heat ...
Page 182
... deed ' . ACT IV : ' A DEED WITHOUT A NAME ' To make himself less ' young in deed ' in Act IV he returns to the witches , who were the original inspiration for the impluse to do . As he sets foot in their den he cries out with the verb ...
... deed ' . ACT IV : ' A DEED WITHOUT A NAME ' To make himself less ' young in deed ' in Act IV he returns to the witches , who were the original inspiration for the impluse to do . As he sets foot in their den he cries out with the verb ...
Contents
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Copyright | |
16 other sections not shown
Other editions - View all
Common terms and phrases
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words