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abbey, a majestic ruin seated in a deep recess of the Black mountains, at the very extremity of the county. The first part of the route lies through a romantic pass between the Skyridd and Sugar-loaf mountains, upon the Hereford turnpike. Proceeding about two miles, the church of Landeilo Bertholly appears on the right; and not far from it an antique mansion called the White-house, a residence of the Floyers. Another ancient house occurs at the village of Llanvihanget Crickhornell, seen through groves of firs, lately a seat of the Arnolds, but now occupied as a farm-house. From this spot a ditchlike road, almost impracticable for carriages, strikes off among the mountains,

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Through tangled forests, and through dang'rous ways,” carried upon precipices impendent over the brawling torrent of the Hondy. Sometimes the road opens to scenes of the most romantic description, where, at an immense depth beneath, the torrent is seen raging in a bed of rocks, and mountains of the most imposing aspect rise from the valley,

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"The nodding horrors of whose shady brows
Threat the forlorn and wand'ring traveller."

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Immediately to the left of the road rises the Gaer, a huge rocky hill crowned with an ancient encampment. On the opposite side of the river, fearfully hanging on a steep cliff, and beneath a menacing hill bristled with innumerable craigs, is the romantic village of CWMJOY. Landscapes of the boldest composition would be continual, but that the road, formed into a deep hollow, and overtopped by hedge-row elms, excludes the traveller from almost every view but that of his embowered track. The pedestrian, however, is at liberty, while ranging among heaths and fields above the road, to enjoy the wild grandeur of the country, which will hardly fail to repay him for his additional toil.

In the deep gloomy vale of Ewias, encircled by the barren summits of the Black mountains, but enjoving some degree of local cultivation, and enlivened by the crystalline Hondy, is situated the ruin of LANTHONY ABBEY.

Venerable and grand, but wholly devoid of ornament, it partakes of the character of the surrounding scenery, Not a single tendril of ivy decorates the massive walls of the structure, and but a sprinkling of shrubs and light

light branchy trees fringe the high parapets, or shade the broken fragments beneath. "Where rev'rend shrines in Gothic grandeur stood, "The nettle or the noxious night-shade spreads; “And ashlings, wafted from the neighbouring wood, Through the worn turrets wave their trembling heads.” The area of the church is not very extensive; the length is 212 feet; the breadth 50; and it measures 100 across the transepts. The roof has long since fallen in, and a great part of the south wall is now a prostrate ruin; but the view afforded of the interior, in consequence, is extremely grand and picturesque. A double row of pointed arches, reposing on massive piers, separate the side ailes from the nave; above which, divided from the Gothic form by a strait band or fascia, is a series of small circular arches: an intermixture and arrangement of the two forms that characterize the earliest use of Gothic architecture. Two lofty arches, rising from the middle of the church, still sustain a massive portion of the tower, whose doubt fully poised and ponderous bulk seriously menaces the adventurous explorer of the ruin. The grandeur of the western front cannot be passed unnoticed; nor, looking over the fragments of the choir, the fine view

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