The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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Page 29
... observe a preceding elifion . Some of the professed imitators of our old poets have not attended to this and many other minutię : I could point out to you several performances in the respective styles of Chaucer , Spenser , and ...
... observe a preceding elifion . Some of the professed imitators of our old poets have not attended to this and many other minutię : I could point out to you several performances in the respective styles of Chaucer , Spenser , and ...
Page 39
... observe in confequence , that " if Chaucer's coin were of greater weight for deeper learning , Lydgate's were of a more refined standard for purer language : so that one might mistake him for a modern writer ! " Let me here make an ...
... observe in confequence , that " if Chaucer's coin were of greater weight for deeper learning , Lydgate's were of a more refined standard for purer language : so that one might mistake him for a modern writer ! " Let me here make an ...
Page 41
... observed to me on the authority of 5 " " Alię panduntur inanes Sufpenfę ad ventos : aliis fub gurgite vasto " Infectum eluitur fcelus , aut exuritur igni . " Blefkenius , that this was the ancient opinion of the. • At the ende of the ...
... observed to me on the authority of 5 " " Alię panduntur inanes Sufpenfę ad ventos : aliis fub gurgite vasto " Infectum eluitur fcelus , aut exuritur igni . " Blefkenius , that this was the ancient opinion of the. • At the ende of the ...
Page 56
... observed , that the disguise of the Pedant in The Taming of the Shrew , and his affuming the name and character of Vincentio , feem to be evidently taken from the difguife of the Sycophanta in the Trinummus of the faid author ; and ...
... observed , that the disguise of the Pedant in The Taming of the Shrew , and his affuming the name and character of Vincentio , feem to be evidently taken from the difguife of the Sycophanta in the Trinummus of the faid author ; and ...
Page 62
... observed , hath not Shakspeare's name on the title - page of the only edition published in his life - time . Indeed , from every internal mark , I have not the least doubt but this horrible piece was originally written by the author of ...
... observed , hath not Shakspeare's name on the title - page of the only edition published in his life - time . Indeed , from every internal mark , I have not the least doubt but this horrible piece was originally written by the author of ...
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Common terms and phrases
acted actor alfo alſo ancient appears becauſe Blackfriars Burbage called comedy D'Avenant dramatick edition Engliſh eſtabliſhed exhibited faid faid Sir fame fays feem fervants fince firſt fome fuch George Buc Globe hath Henry Chettle Henry Herbert houſe Item John John Heminge Jonfon King Henry king's king's company laſt leſs likewife Lond London Lord Majesty maſques Maſter Michael Drayton moſt obſerved occafion pariſh paſſage perfons performed piece play players playes playhouſe pleaſed pleaſure poet poet's pounds preſent printed prologue publick publiſhed purpoſe Queen reaſon repreſentation repreſented Richard Richard Hathwaye ſame ſays ſcenes ſecond ſeems ſeen ſeveral Shakſpeare Shakſpeare's ſhall ſhares ſhew ſhould Sir Henry Herbert Sir William ſome ſometimes ſpeak ſpectators ſtage ſtand ſtate STEEVENS ſtill ſtory ſubject ſuch ſuppoſe theatre theſe Thomas Thomas Dekker thoſe thou tragedy tranflation uſed verſes Wentworth Smith whoſe William D'Avenant writer written
Popular passages
Page 506 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame; While I confess thy writings to be such As neither man nor Muse can praise too much.
Page 506 - Or blind affection, which doth ne'er advance The truth, but gropes, and urgeth all by chance; Or crafty malice might pretend this praise, And think to ruin, where it seemed to raise.
Page 530 - This pencil take (she said) whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy ! This can unlock the gates of Joy ; Of Horror that, and thrilling Fears, Or ope the sacred source of sympathetic Tears.
Page 316 - His mind and hand went together ; and what he thought, he uttered with that easiness, that we have scarce received from him a blot in his papers.
Page 506 - Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat (Such as thine are) and strike the second heat Upon the Muses...
Page 506 - And shake a stage; or, when thy socks were on Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come. Triumph, my Britain, thou hast one to show To whom all scenes of Europe homage owe.
Page 176 - True, representing some principal pieces of the reign of Henry the Eighth, which was set forth with many extraordinary circumstances of pomp and majesty, even to the matting of the stage ; the Knights of the order, with their Georges and Garter, the guards with their embroidered coats and the like; sufficient, in truth, within a while to make greatness very familiar, if not ridiculous.
Page 523 - WHEN Learning's triumph o'er her barb'rous foes First rear'd the stage, immortal Shakspeare rose ; Each change of many-colour'd life he drew, Exhausted worlds, and then imagin'd new: Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain. His pow'rful strokes presiding Truth impress'd, And unresisted Passion storm'd the breast.
Page 506 - The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Page 521 - Hence when lightning fires The arch of Heaven, and thunders rock the ground, When furious whirlwinds rend the howling air, And Ocean, groaning from his lowest bed, Heaves his tempestuous billows to the sky ; Amid the mighty uproar, while below The nations tremble, SHAKSPEARE looks abroad From some high cliff, superior, and enjoys The elemental war.