The Dramatic Works of Shakespeare, Volume 2Harper, 1846 |
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Page 9
... [ Exit DENNIS . ] ' Twill be a good way ; and to - morrow the wrestling is . Enter CHARLES . Cha . Good - morrow to your worship . Oli . Good monsieur Charles ! -what's the new news at the new court ? Cha . There's no news at the court ...
... [ Exit DENNIS . ] ' Twill be a good way ; and to - morrow the wrestling is . Enter CHARLES . Cha . Good - morrow to your worship . Oli . Good monsieur Charles ! -what's the new news at the new court ? Cha . There's no news at the court ...
Page 11
... Exit . A Lawn before the Duke's Palace . Enter ROSALIND and CELIA . Cel . I pray thee , Rosalind , sweet my coz , be merry . Ros . Dear Celia , I show more mirth than I am mistress of ; and would you yet I were merrier ? Unless you ...
... Exit . A Lawn before the Duke's Palace . Enter ROSALIND and CELIA . Cel . I pray thee , Rosalind , sweet my coz , be merry . Ros . Dear Celia , I show more mirth than I am mistress of ; and would you yet I were merrier ? Unless you ...
Page 18
... Exit LE BEAU . Thus must I from the smoke into the smother ; From tyrant duke , unto a tyrant brother : — But heavenly Rosalind ! SCENE III . [ Exit . A Room in the Palace . Enter CELIA and ROSALIND . Cel . Why , cousin ; why , Rosalind ...
... Exit LE BEAU . Thus must I from the smoke into the smother ; From tyrant duke , unto a tyrant brother : — But heavenly Rosalind ! SCENE III . [ Exit . A Room in the Palace . Enter CELIA and ROSALIND . Cel . Why , cousin ; why , Rosalind ...
Page 28
... Exit SILVIUS . Ros . Alas , poor shepherd ! searching of thy wound , I have by hard adventure found mine own . Touch . And I mine : I remember , when I was in love , I broke my sword upon a stone , and bid him take that for coming ...
... Exit SILVIUS . Ros . Alas , poor shepherd ! searching of thy wound , I have by hard adventure found mine own . Touch . And I mine : I remember , when I was in love , I broke my sword upon a stone , and bid him take that for coming ...
Page 35
... Exit . Duke S. Thou seest , we are not all alone unhappy : This wide and universal theatre Presents more woeful ... exits , and their entrances ; And one man in his time plays many parts , His acts being seven ages . At first , the ...
... Exit . Duke S. Thou seest , we are not all alone unhappy : This wide and universal theatre Presents more woeful ... exits , and their entrances ; And one man in his time plays many parts , His acts being seven ages . At first , the ...
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ancient Beat Beatrice Benedick better Bianca Bion Biron Boyet brother Claud Claudio Clown Costard Count daughter dear Demetrius Dogb dost doth Duke Enter Exeunt Exit eyes fair fairy father fool friends gentle gentleman give grace Gremio hand hath hear heart Helena Hermia Hero hither honour Hortensio Illyria JOHNSON Kate Kath King knave lady Leon Leonato look lord lover Lucentio Lysander madam maid MALONE Malvolio marry master means mistress Moth never night Orla Orlando Padua Pedro Petruchio play Pompey pr'ythee pray Puck Pyramus Re-enter Rosalind Rousillon SCENE Shakespeare signior sing Sir ANDREW AGUE-CHEEK sir Toby speak STEEVENS swear sweet tell thank thee Theseus thine thing thou art thou hast Titania tongue Tranio troth WARBURTON word
Popular passages
Page 35 - All the world's a stage, And all the men and women merely players : They have their exits and their entrances ; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Page 139 - The lunatic, the lover, and the poet, Are of imagination all compact. One sees more devils than vast hell can hold ; That is, the madman : the lover, all as frantic, Sees Helen's beauty in a brow of Egypt : The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name.
Page 22 - The seasons' difference ; as the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors That feelingly persuade me what I am.
Page 35 - Even in the cannon's mouth; and then the justice, In fair round belly with good capon lin'd With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part; the sixth age shifts Into the lean and slipper'd...
Page 181 - Sigh, no more, ladies, sigh no more, Men were deceivers ever ; One foot in sea, and one on shore ; To one thing constant never : Then sigh not so, But let them go, And be you blithe and bonny ; Converting all your sounds of woe Into Hey nonny, nonny.