The Central literary magazine, Volume 5 |
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... Songster's Salute , The Saintbury Churchyard , Lines on 305 Storm and Calm 137 Stanzas 178 227 Traits of Kindness , The Trysting Place , The 304 10 Two Love Lyrics 255 Virgil , Paraphrase of $ 240 Paragraphs of the Parables III .
... Songster's Salute , The Saintbury Churchyard , Lines on 305 Storm and Calm 137 Stanzas 178 227 Traits of Kindness , The Trysting Place , The 304 10 Two Love Lyrics 255 Virgil , Paraphrase of $ 240 Paragraphs of the Parables III .
Page 17
... lines to be printed being on the surface , a wood - cut can be printed with type at the same operation . The wood used is boxwood , which has the closest grain of any wood hitherto discovered ; but when blocks of a large size are ...
... lines to be printed being on the surface , a wood - cut can be printed with type at the same operation . The wood used is boxwood , which has the closest grain of any wood hitherto discovered ; but when blocks of a large size are ...
Page 18
... lines of the artist . In judging of the engraver's work , let it not be forgotten that little freedom is allowed to him , most artists requiring the engraver to produce an exact facsimile of their drawings , and men like Millais ...
... lines of the artist . In judging of the engraver's work , let it not be forgotten that little freedom is allowed to him , most artists requiring the engraver to produce an exact facsimile of their drawings , and men like Millais ...
Page 21
... line to be produced . The drawing is made upon this plate in the same way that it is required to print , and the ... lines in black , the surface of the metal plate being blackened before being coated with the composition . Erasures ...
... line to be produced . The drawing is made upon this plate in the same way that it is required to print , and the ... lines in black , the surface of the metal plate being blackened before being coated with the composition . Erasures ...
Page 26
... lines written at this distance of time give but a meagre idea of the life upon this station , but I am not without hope that the imagination of the reader will fill up the sketch , and realise to some extent how charming even a lonely ...
... lines written at this distance of time give but a meagre idea of the life upon this station , but I am not without hope that the imagination of the reader will fill up the sketch , and realise to some extent how charming even a lonely ...
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Affirmative appearance artist beautiful better Birmingham Brierley Brinkwater Bruges C. C. Smith called Central Literary Association character Christmas Church Church of England course Cund dead death Downer Dryden Edgbaston elected England engraving etching eyes fear feel Frank Frank Hardy furnace gentlemen George Eliot give H. S. Pearson Hades hand happy Hardy head heart heaven Hermia hope hour illustration interest Irish Land League J. W. Tonks James McClelland John Dryden Josiah Mason kind Lean Levett light Little London live look Lord Magazine Masters members and friends Messrs mind municipal nature negative never Newdegate night Old Winchelsea once plate play poem poet present printing question Quirks round scriptograph Seaward seems Skofling sleep Snoocher soul soul sleeps spirit streets tell things thought town trade Treasurer Winchelsea young Zair
Popular passages
Page 82 - Bacchus' blessings are a treasure, Drinking is the soldier's pleasure : Rich the treasure, Sweet the pleasure, Sweet is pleasure after pain. Soothed with the sound the king grew vain; Fought all his battles o'er again, And thrice he routed all his foes, and thrice he slew the slain!
Page 82 - THREE Poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpassed; The next in majesty •, In both the last. The force of Nature could no further go ; To make a third, she joined the former two.
Page 83 - Changed his hand and check'd his pride. He chose a mournful Muse Soft pity to infuse: He sung Darius great and good, By too severe a fate Fallen, fallen, fallen, fallen.
Page 244 - First follow Nature, and your judgment frame By her just standard, which is still the same: Unerring Nature, still divinely bright, One clear, unchanged, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of Art. Art from that fund each just supply provides; Works without show, and without pomp presides: In some fair body thus th...
Page 82 - Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot Music raise and quell? When Jubal struck the chorded shell, His listening brethren stood around, And, wondering, on their faces fell To worship that celestial sound. Less than a god they thought there could not dwell Within the hollow of that shell, That spoke so sweetly, and so well.
Page 82 - Less than a god they thought there could not dwell Within the hollow of that shell, That spoke so sweetly, and so well. What passion cannot Music raise and quell?
Page 85 - Dim as the borrowed beams of moon and stars To lonely, weary, wandering travellers, Is reason to the soul; and, as on high Those rolling fires discover but the sky, Not light us here, so reason's glimmering ray Was lent, not to assure our doubtful way, But guide us upward to a better day. And as those nightly tapers disappear, When day's bright lord ascends our hemisphere; So pale grows reason at religion's sight; So dies, and so dissolves in supernatural light.
Page 82 - The sacred organ's praise ? Notes inspiring holy love, Notes that wing their heavenly ways To mend the choirs above. Orpheus could lead the savage race, And trees uprooted left their place Sequacious of the lyre : But bright Cecilia raised the wonder higher: When to her organ vocal breath was given, An angel heard, and straight appeared — Mistaking earth for heaven...
Page 108 - IN the ancient town of Bruges, In the quaint old Flemish city, As the evening shades descended, Low and loud and sweetly blended, Low at times and loud at times, And changing like a poet's rhymes, Rang the beautiful wild chimes From the Belfry in the market Of the ancient town of Bruges.
Page 100 - Yet, ere we part, one lesson I can leave you For every day. Be good, sweet maid, and let who will be clever; Do noble things, not dream them, all day long: And so make life, death, and that vast for-ever One grand, sweet song.