В.М. Гаршин на рубеже веков : международный сборник в трех томахPeter Henry, Mikhail Moiseevich Girshman, Vladimir Porudominskiĭ |
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Page 129
... protagonist's life is in grave danger , present- tense DIM creates the kind of suspense that it is virtually impossible to achieve in traditional first - person ( retrospective ) narrative . In the latter , the very fact of narration ...
... protagonist's life is in grave danger , present- tense DIM creates the kind of suspense that it is virtually impossible to achieve in traditional first - person ( retrospective ) narrative . In the latter , the very fact of narration ...
Page 140
... protagonist and a medical officer : " Petr Ivanych ! " I whisper . - " What is it , my dear fellow ? " ( ibid . ) . These and other narratorial elements began to disappear from DIM as the technique developed after " Four Days ” . In Les ...
... protagonist and a medical officer : " Petr Ivanych ! " I whisper . - " What is it , my dear fellow ? " ( ibid . ) . These and other narratorial elements began to disappear from DIM as the technique developed after " Four Days ” . In Les ...
Page 199
... protagonist perceives what is happening around him . He preferred , however , the potential for distance offered by ... protagonist's perception of reality the impressionist increased the range of ambiguity , for the reader can never be ...
... protagonist perceives what is happening around him . He preferred , however , the potential for distance offered by ... protagonist's perception of reality the impressionist increased the range of ambiguity , for the reader can never be ...