CX.

But all was gentle and aristocratic,

In this our party; polish'd, smooth, and cold, As Phidian forms cut out of marble Attic.

There now are no Squire Westerns, as of old;

And our Sophias are not so emphatic,

But fair as then, or fairer to behold.

We have no accomplish'd blackguards, like Tom Jones, But gentlemen in stays, as stiff as stones.

CXI.

They separated at an early hour;

That is, ere midnight-which is London's noon;
But, in the country, ladies seek their bower
A little earlier than the waning moon.

Peace to the slumbers of each folded flower

May the rose call back its true colour soon!
Good hours of fair cheeks are the fairest tinters,
And lower the price of rouge-at least some winters,

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Don Juan.

CANTO THE FOURTEENTH.

I.

IF from great nature's or our own abyss

Of thought, we could but snatch a certainty, Perhaps mankind might find the path they missBut then 'twould spoil much good philosophy.

One system eats another up, and this

Much as old Saturn ate his progeny;

For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

II.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question ?

Look back o'er ages, ere unto the stake fast

You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences ?

III.

For me, I know nought: nothing I deny,
Admit, reject, contemn; and what know you,
Except, perhaps, that you were born to die?
And both may, after all, turn out untrue.

An age may come, Font of Eternity,

When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep;
And yet a third of life is pass'd in sleep.

IV.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet

How clay shrinks back from more quiescent clay!
The very suicide that pays his debt

At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

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4.

V.

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"Tis round him, near him, here, there, everywhere;
And there's a courage which grows out of fear,
Perhaps, of all most desperate, which will dare

The worst to know it :—when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,-you can't gaze a minute,
Without an awful wish to plunge within it.

VI.

'Tis true, you don't-but, pale and struck with terror,
Retire: but look into your past impression;

And you will find, though shuddering at the mirror
Of your own thoughts, in all their self-confession,
The lurking bias, be it truth or error,

To the unknown; a secret prepossession,

To plunge with all your fears-but where? You know not: And that's the reason why you do—or do not.

VII.

But what's this to the purpose? you will say:
Gent. reader, nothing; a mere speculation,
For which my sole excuse is 'tis my way,
Sometimes with, and sometimes without, occasion.

I write what's uppermost, without delay:
This narrative is not meant for narration;

But a mere airy and fantastic basis,

To build up common things with common places.

VIII.

You know, or don't know, that great Bacon saith, "Fling up a straw, 'twill show the way the wind blows;" And such a straw, borne on by human breath,

Is poesy, according as the mind glows;

A paper kite which flies 'twixt life and death;

A shadow which the onward soul behind throws: And mine's a bubble, not blown up for praise,

But just to play with, as an infant plays.

IX.

The world is all before me-or behind;
For I have seen a portion of that same,

And quite enough for me to keep in mind ;-
Of passions, too, I have prov'd enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Untill I fairly knock'd it up with rhyme.

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X.

I have brought this world about my ears, and eke
The other: that's to say, the clergy-who,
Upon my head have bid their thunders break,
In pious libels, by no means a few.

And yet I can't help scribbling, once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

XI.

But "why then publish ?"-There are no rewards
Of fame or profit, when the world grows weary.

I ask, in turn,-Why do you play at cards?

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[dreary,

Why drink? Why read?-To make some hour less

It occupies me to turn back regards

On what I've seen or ponder'd, sad or cheery;

And what I write, I cast upon the stream,

To swim or sink-I have had, at least, my dream.

XII.

I think that were I certain of success,

I hardly could compose another line:

So long I've battled either more or less,

That no defeat can drive me from the Nine.

This feeling 'tis not easy to express,
And yet 'tis not affected, I opine.

In play, there are two pleasures for your choosing-
The one is winning, and the other losing.

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XIII.

Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,

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Of course with some reserve and slight restriction,
But mostly sings of human things and acts-
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease, too, she'd tell a different story.

XIV.

Love, war, a tempest-surely there's variety;
Also a seasoning slight of lucubration;

A bird's eye view, too, of that wild Society;

A slight glance thrown on men of every station.
If you have nought else, here's at least satiety,
Both in performance and in preparation;

And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

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XV.

The portion of this world which I, at present,
Have taken up, to fill the following sermon,
Is one of which there's no description recent :
The reason why, is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

XVI.

With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;

A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,

A want of that true nature which sublimes Whate'er it shows with truth; a smooth monotony Of character, in those at least who have got any.

XVII.

Sometimes, indeed, like soldiers off parade,

They break their ranks, and gladly leave the drill : But then the roll-call draws them back afraid,

And they must be or seem what they were: still Doubtless it is a brilliant masquerade;

But when of the first sight you have had your fill, It palls-at least it did so upon me,

This paradise of pleasure and ennui.

XVIII.

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71

When we have made our love, and gam'd our gaming, 18
Drest, voted, shone, and, may be, something more;
With dandies din'd; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.

Witness those "ci-devant jeunes hommes" who stem
The stream, nor leave the world which leaveth them.

ΧΙΧ.

'Tis said indeed a general complaint

That no one has succeeded in describing

The monde, exactly as they ought to paint:

Some say that authors only snatch, by bribing

The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;

And that their books have but one style in common-
My lady's prattle, filter'd through her woman.

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