Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeIt shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
Results 1-5 of 89
Page vii
... Poets , and Other Scribblers 203 II . Who Owns the Play ? Pirate , Plagiarist , Imitator , Thief 12. Making it Public 219 237 13. Scenic Pictures 14. Actor / Author THEATRICAL IMPRESSIONS 15. A Theatre Too Much With Us Epilogue Notes ...
... Poets , and Other Scribblers 203 II . Who Owns the Play ? Pirate , Plagiarist , Imitator , Thief 12. Making it Public 219 237 13. Scenic Pictures 14. Actor / Author THEATRICAL IMPRESSIONS 15. A Theatre Too Much With Us Epilogue Notes ...
Page 9
... poets " and usurping “ poetesses , ” attempting to distinguish themselves from the mass of aspiring scribblers ... poetic “ original ” from copy - crucial to the concep- tualization of the playtext as authorial property , by nature owned ...
... poets " and usurping “ poetesses , ” attempting to distinguish themselves from the mass of aspiring scribblers ... poetic “ original ” from copy - crucial to the concep- tualization of the playtext as authorial property , by nature owned ...
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Page 39
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Contents
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes