Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeIt shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
Results 1-5 of 90
Page 3
... Renaissance , " " Baroque " versus " Neo - classical , " " court " versus " school " or " public , " " amateur " versus " professional " ) , finding them inadequately descriptive and ultimately more misleading than illuminating for my ...
... Renaissance , " " Baroque " versus " Neo - classical , " " court " versus " school " or " public , " " amateur " versus " professional " ) , finding them inadequately descriptive and ultimately more misleading than illuminating for my ...
Page 4
... English - speaking world , Shakespeare's career has helped to produce one of those enduring lies so convenient to the history of progress : that Renaissance dramatists were unconcerned with the circulation of their work on 4 Introduction.
... English - speaking world , Shakespeare's career has helped to produce one of those enduring lies so convenient to the history of progress : that Renaissance dramatists were unconcerned with the circulation of their work on 4 Introduction.
Page 5
... Renaissance theatre , was crucial at the outset . Those writing plays during the first century of printing were , in fact , deeply invested in the new technology . Jakob Wimpheling , whose classical play Stilpho had been performed in ...
... Renaissance theatre , was crucial at the outset . Those writing plays during the first century of printing were , in fact , deeply invested in the new technology . Jakob Wimpheling , whose classical play Stilpho had been performed in ...
Page 6
... Renaissance spectacles that the French illustrator Jacques Callot came to Florence for the Medici festivals and the Alsatian engraver Matthias Greuter worked in Rome , it was equally impor- tant that their etchings of the festivals were ...
... Renaissance spectacles that the French illustrator Jacques Callot came to Florence for the Medici festivals and the Alsatian engraver Matthias Greuter worked in Rome , it was equally impor- tant that their etchings of the festivals were ...
Page 8
... Renaissance towards the nineteenth century ) . Chap- ter 1 , " Experimenting on the Page , 1480-1630 , " describes the creation of typo- graphic conventions for the drama and the relations among theatrical troupes , dramatists , and ...
... Renaissance towards the nineteenth century ) . Chap- ter 1 , " Experimenting on the Page , 1480-1630 , " describes the creation of typo- graphic conventions for the drama and the relations among theatrical troupes , dramatists , and ...
Contents
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes