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added admired adopted appearance applied appropriate arches architect Architecture arrangement artistic attempt beautiful better building built called carried cathedral centre century certainly church Classical commenced completed consequence considerable considered construction copy court decoration defects difficult dimensions dome effect elegant Elevation employed erected Europe example exist extent externally façade fact feeling feet France front give Gothic Gothic Art grand height House important instance interior internally introduced Italian Italy least less look means mind nearly never object Order original ornament painted Palace Paris perhaps period pilasters pillars pleasing portico possess practically present principal probably produced proportion remarkable Renaissance rich Roman Rome roof scale seems seen side square stands stories style successful sufficient taste theatre thought true upper Venice View whole Woodcut
Page 21 - History of Rome. From the Earliest Times to the Establishment of the Empire. With the History of Literature and Art.
Page 21 - Missionary Travels and Researches in South Africa : including a Sketch of Sixteen Years' Residence in the Interior of Africa, and a Journey from the Cape of Good Hope to Loanda on the West Coast ; thence across the Continent, down the River Zambesi, to the Eastern Ocean. By DAVID LIVINGSTONE, LL.D., DCL With Portrait, Maps, and Illustrations.
Page 12 - Handbook of Architecture. Being a Concise and Popular Account of the Different Styles prevailing in all Ages and Countries in the World. With a Description of the most remarkable Buildings.
Page 24 - History of Latin Christianity ; including that of the Popes to the Pontificate of Nicholas V.
Page 34 - if you want to see one of the greatest of all the triumphs of human ingenuity, — one of the most beautiful, as it is one of the most useful, of all the mechanisms which the intelligence of successive ages has called into being.
Page 329 - His one hope lies in the knowledge that there is a "tertium quid," a style which, for want of a better name, is sometimes called the Italian, but should be called the common-sense style. This, never having attained the completeness which debars all further progress, as was the case in the purely Classical or in the perfected Gothic styles, not only admits of, but insists on, progress. It courts borrowing principles and forms from either. It can use either pillars or pinnacles as may be required....
Page 22 - ... master mason, who was skilled in construction ; of the carver, the painter, the glazier, of the host of men who, each in his own craft, knew all that had been done before them, and had spent their lives in struggling to surpass the works of their forefathers.
Page 517 - The true glory of the Celt in Europe is his artistic eminence. It is perhaps not too much to assert that without his intervention we should not have possessed in modern times a church worthy of admiration, or a picture or a statue we could look at without shame.
Page 436 - The perfection of Art in an American's eyes would be attained by the invention of a self-acting machine, which should produce plans of cities and designs for Gothic churches or Classic municipal buildings, at so much per foot super, and so save all further trouble or thought. The planning of cities has in America been always practically performed by these means; the process being to take a sheet of...