polite authors. The greatest genius which runs through the arts and sciences, takes a kind of tincture from them, and falls unavoidably into imitation.

Many of these great natural geniuses that were never disciplined and broken by rules of art, are to be found among the ancients, and in particular among those of the more eastern parts of the world. Homer has innumerable flights that Virgil was not able to reach, and in the Old Testament we find several passages more elevated and sublime than any in Homer. At the same time that we allow a greater and more daring genius to the ancients, we must own that the greatest of them very much failed in, or, if you will, that they were much above, the nicety and correctness of the moderns. In their similitudes and allusions, provided there was a likeness, they did not much trouble themselves about the decency of the comparison; thus Solomon resembles the nose of his beloved to the tower of Lebanon, which looketh towards Damascus; us the coming of a thief in the night, is a similitude of the same kind in the New Testament. It would be endless to make collections of this nature; Homer illustrates one of his heroes encompassed with the enemy, by an ass in a field of corn that has his sides belaboured by all the boys of the village without stirring a foot for it; and another of them tossing to and fro in his bed and burning with resentment, to a piece of flesh broiled on the coals. This particular failure in the ancients opens a large field of raillery to the little wits, who can laugh at an indecency, but not relish the sublime in these sorts of writing. A former Emperor of Persia, conformably to this eastern way of thinking, amidst a great many pompous titles, denominated himself "the sun of glory," and "the nutmeg of delight." In short, to cut off all cavilling against the ancients, and

particularly those of the warmer climates, who had most heat and life in their imaginations, we are to consider that the rule of observing what the French call the bienséance in an allusion, has been found out of later years, and in the colder regions of the world; where we could make some amends for our want of force and spirit, by a scrupulous nicety and exactness in our compositions. Our countryman, Shakspeare, was a remarkable instance of this first kind of great geniuses.

I cannot quit this head without observing that Pindar was a great genius of the first-class, who was hurried on by a natural fire and impetuosity to vast conceptions of things and noble sallies of imagination. At the same time, can anything be more ridiculous than for men of a sober and moderate fancy to imitate this poet's way of writing, in those monstrous compositions which go among us under the name of Pindarics? When I see people copying works, which, as Horace has represented them, are singular in their kind, and inimitable; when I see men following irregularities by rule, and by the little tricks of art straining after the most unbounded flights of nature, I cannot but apply to them that passage in Terence ::

"You may as well pretend to be mad and in your senses at the same time, as to think of reducing these uncertain things to any certainty by reason."

In short, a modern Pindaric writer, compared with Pindar, is but the distortion, grimace, and outward figure, with nothing of that divine impulse which raises the mind above itself, and makes the sounds more than human.

There is another kind of great geniuses which I shall place in a second class, not as I think them inferior to the first, but only for distinction's sake, as they are of a different

kind. The second class of great geniuses are those that have formed themselves by rules, and submitted the greatness of their natural talents to the corrections and restraints of art. Such among the Greeks were Plato and Aristotle; among the Romans, Virgil and Tully; among the English, Milton and Sir Francis Bacon.

The genius in both these classes of authors may be equally great, but shews itself after a different manner. In the first, it is like a rich soil in a happy climate, that produces a whole wilderness of noble plants rising in a thousand beautiful landscapes, without any certain order or regularity. In the other it is the same rich soil under the same happy climate, that has been laid out in walks and parterres, and cut into shape and beauty by the skill of the gardener.

The great danger in the latter kind of geniuses is, lest they cramp their own abilities too much by imitation, and form themselves altogether upon models, without giving the full play to their own natural parts. An imitation of the best authors is not to compare with a good original; and I believe we may observe that very few writers make an extraordinary figure in the world, who have not something in their way of thinking or expressing themselves that is peculiar to them, and entirely their own.

It is odd to consider what great geniuses are sometimes thrown away upon trifles.

:

"I once saw a shepherd," says a famous Italian author, "who used to divert himself in his solitudes with tossing up eggs and catching them again without breaking them in which he had arrived to so great a degree of perfection, that he would keep up four at a time for several minutes together playing in the air, and falling into his hands by turns. I think," says the author, "I never saw a greater severity than

in this man's face; for, by his wonderful perseverance and application, he had contracted the seriousness and gravity of a privy-councillor; and I could not but reflect with myself, that the same assiduity and attention, had they been rightly applied, might have made him a greater mathematician than Archimedes."

ON INCONSISTENCY AND IRRESOLUTION.

N

"Keep one consistent plan from end to end."

HORACE.

OTHING that is not a real crime makes a man appear so contemptible and little in the eyes of the world as inconstancy, especially when it regards religion or party. In either of these cases, though a man perhaps does but his duty in changing his side, he not only makes himself hated by those he left, but is seldom heartily esteemed by those he comes

over to.

In these great articles of life, therefore, a man's conviction ought to be very strong, and, if possible, so well timed, that worldly advantages may seem to have no share in it, or mankind will be ill natured enough to think he does not change sides out of principle, but either out of levity of temper, or prospects of interest. Converts and renegadoes of all kinds should take particular care to let the world see they act upon honourable motives: or, whatever approbations they may receive from themselves, and applauses from those they converse with, they may be very well assured that they are the scorn of all good men, and the public marks of infamy and derision.

Irresolution on the schemes of life which offer themselves to our choice, and inconstancy in pursuing them, are the greatest and most universal causes of all our