The Dramatic Works of William Shakspeare: Illustrated, Embracing a Life of the Poet, and Notes, Original and SelectedGeo. A. Leavitt, 1867 |
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Page 71
... Coriolanus ( Act II . Sc . III . ) we have both weed and weeds . 2 Farcy's slave , love's slave . 3 Digression is here used in the sense of transgression . 4 Here is one of the frequent examples with which the works of Shakspeare and ...
... Coriolanus ( Act II . Sc . III . ) we have both weed and weeds . 2 Farcy's slave , love's slave . 3 Digression is here used in the sense of transgression . 4 Here is one of the frequent examples with which the works of Shakspeare and ...
Page 398
... Coriolanus we see the terrible energy of her rising am bition checked and overpowered by the factious violence of her contending classes . We know that the prayer of Coriolanus is a vain prayer : The honored gods Keep Rome in safety ...
... Coriolanus we see the terrible energy of her rising am bition checked and overpowered by the factious violence of her contending classes . We know that the prayer of Coriolanus is a vain prayer : The honored gods Keep Rome in safety ...
Page 401
... Coriolanus - the pivot upon which all the action turns the key to the bitterness of factious hatred which runs through the whole drama is the con- test for power between the patricians and plebeians . This is a broad principle ...
... Coriolanus - the pivot upon which all the action turns the key to the bitterness of factious hatred which runs through the whole drama is the con- test for power between the patricians and plebeians . This is a broad principle ...
Page 402
... Coriolanus , was probably dealing only with a legend ; that , if the story is to be received as true , it belongs to a later period ; that in this later period there were very nice shades of difference between the classes composing the ...
... Coriolanus , was probably dealing only with a legend ; that , if the story is to be received as true , it belongs to a later period ; that in this later period there were very nice shades of difference between the classes composing the ...
Page 403
... their ruth , And let me use my sword , I'd make a quarry With thousands of these quartered slaves , as high As I could pick my lance . " - Till Caius Marcius has become Coriolanus , and we see TO THE ROMAN PLAYS . 403.
... their ruth , And let me use my sword , I'd make a quarry With thousands of these quartered slaves , as high As I could pick my lance . " - Till Caius Marcius has become Coriolanus , and we see TO THE ROMAN PLAYS . 403.
Other editions - View all
DRAMATIC WORKS OF WILLIAM SHAK William 1564-1616 Shakespeare,Samuel Weller 1783-1858 Singer No preview available - 2016 |
The Dramatic Works of William Shakspeare...: Embracing a Life of ..., Volume 6 William Shakespeare No preview available - 1850 |
Common terms and phrases
Antony bear beauteous beauty's behold blood breast breath brow Brutus Cæsar Cassius character cheeks Collatine Coriolanus dead dear death deeds delight desire dost thou doth England's Helicon face fair fair lords falchion false faults fear flowers foul gentle give grace grief hand hate hath heart heaven honor Julius Cæsar kiss lines lips live look love's Love's Labor's Lost LOVER'S COMPLAINT Lucrece lust Malone mayst mind mistress muse never night o'er painted Passionate Pilgrim pity Plutarch poem poet poor praise pride proud quoth rhyme Roman Rome scene shadow Shakspeare Shakspeare's shalt shame sight Sonnets sorrow soul speak stanzas Tarquin tears tell thee thine eye thing thou art thou dost thou wilt thought thy beauty thy love thy sweet thyself Time's tongue true truth Venus and Adonis verse weep Whilst William Jaggard words wound youth