On Method Acting

able acting actions actor's instrument Actors Studio actress actually Affective Memory exercise Animal Exercises artistic aspects audience author's awareness baby begin behavior believe body chair chapter characterization Cohan complete conscious create creative director emotions end result exer experience expression eyes feeling Geraldine Page Group Theatre happened Harold Clurman Hatful Of Rain human imagination imitation important improvisation individual Inner Character involved James Dean Lee Strasberg legs lines Marilyn Marilyn Monroe Marlon Brando means mental Method actors Moscow Art Theatre movement natural never object observation Outer Character pain pantomimic performance person phase Physical Exercise physical task play portraying problems produce qualities reader reality realize reason rehearsals relaxation remember role scene script sensation Sense Memory sensory simple sitting situation sometimes speak speech stage Stanislavsky student subconsciously talent teacher tension theatrical thoughts tion true truth usually voice walk words