Deconstructing Macbeth: The Hyperontological ViewMacbeth is discussed in relation to Derrida's notion of the metaphysics of presence. Fawkner argues that the quest for metaphysical certitude in Macbeth is related to the hero's transformation from a heroic to a post-heroic status. |
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Page 26
... kind of logic of its own . Why assume that deconstruction must be a bit scatterbrained , fuzzy , anarchistic , pluralistic , disjointed , and un- organized in order to truly engage with its opponent and become a critique of presence ...
... kind of logic of its own . Why assume that deconstruction must be a bit scatterbrained , fuzzy , anarchistic , pluralistic , disjointed , and un- organized in order to truly engage with its opponent and become a critique of presence ...
Page 124
... kind of tone , Duncan a completely different one . This presence of the dramatic figure in terms of his or her tone also organizes such important tensions as the one between Macbeth and Lady Mac- beth . Lady Macbeth's presence very much ...
... kind of tone , Duncan a completely different one . This presence of the dramatic figure in terms of his or her tone also organizes such important tensions as the one between Macbeth and Lady Mac- beth . Lady Macbeth's presence very much ...
Page 180
... kind of courage . Mac- beth's last words before the Servant's appearance are : " the heart I bear , / Shall never sag with doubt , nor shake with fear ( 5.3.9-10 ) . The boy's face , however , is of course a reminder of the shal ...
... kind of courage . Mac- beth's last words before the Servant's appearance are : " the heart I bear , / Shall never sag with doubt , nor shake with fear ( 5.3.9-10 ) . The boy's face , however , is of course a reminder of the shal ...
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Common terms and phrases
absence action affirmation already appearing argued Banquo becomes beginning character clear comes completely course created critical death deconstruction Derrida desire dialectical discourse discussed dramatic Duncan empirical engage entire equivocation excess fact fear feel fighting final forces gives hand hero heroic horror human Ibid idea imaginative important inside interesting John Dover Wilson kind Lady Macbeth language linguistic logical London look master meaning metaphysical mind moral move murder never notion object once ontological opening opposite organized original philosophical play political possibility precisely presence produced pure question reading reality reference relation scene seems self-presence sense Shakespeare signifying simply Sisters situation soliloquy sovereign space speaking stage structure struggle suggestion theory things thought tion Tragedy tragic Truth turn unit University Press vanishing wants Weird writing York