Deconstructing Macbeth: The Hyperontological ViewMacbeth is discussed in relation to Derrida's notion of the metaphysics of presence. Fawkner argues that the quest for metaphysical certitude in Macbeth is related to the hero's transformation from a heroic to a post-heroic status. |
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Page 68
... dialectical truth , Macbeth will tend to resuscitate dialectic in the very speeches and reveries where he is also reluctantly exploring the weird suggestion that dialectic is being withdrawn as a logical possibility . Michael Goldman ...
... dialectical truth , Macbeth will tend to resuscitate dialectic in the very speeches and reveries where he is also reluctantly exploring the weird suggestion that dialectic is being withdrawn as a logical possibility . Michael Goldman ...
Page 155
... dialectic of mastery - versus - ser- vitude ( see the list of terms , p . 233 ) . If the fighting and victorious thanes of act 1 suggest mastery ( the production of dialectical recognition as " golden opinions " ) , and if Macbeth's ...
... dialectic of mastery - versus - ser- vitude ( see the list of terms , p . 233 ) . If the fighting and victorious thanes of act 1 suggest mastery ( the production of dialectical recognition as " golden opinions " ) , and if Macbeth's ...
Page 175
... dialectic , if his " visibility " no longer is a dialectical visibility ( a phenomenological appearing ) , if he no longer really struggles ? This problem may be put in optical terms ( What is visibility when it is no longer dialectical ...
... dialectic , if his " visibility " no longer is a dialectical visibility ( a phenomenological appearing ) , if he no longer really struggles ? This problem may be put in optical terms ( What is visibility when it is no longer dialectical ...
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absence action affirmation already appearing argued Banquo becomes beginning character clear comes completely course created critical death deconstruction Derrida desire dialectical discourse discussed dramatic Duncan empirical engage entire equivocation excess fact fear feel fighting final forces gives hand hero heroic horror human Ibid idea imaginative important inside interesting John Dover Wilson kind Lady Macbeth language linguistic logical London look master meaning metaphysical mind moral move murder never notion object once ontological opening opposite organized original philosophical play political possibility precisely presence produced pure question reading reality reference relation scene seems self-presence sense Shakespeare signifying simply Sisters situation soliloquy sovereign space speaking stage structure struggle suggestion theory things thought tion Tragedy tragic Truth turn unit University Press vanishing wants Weird writing York