Deconstructing Macbeth: The Hyperontological ViewMacbeth is discussed in relation to Derrida's notion of the metaphysics of presence. Fawkner argues that the quest for metaphysical certitude in Macbeth is related to the hero's transformation from a heroic to a post-heroic status. |
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Page 239
... University Press , 1983 . Bristol , Michael D. Carnival and Theater : Plebeian Culture and the Structure of Authority in Renaissance England . New York and London : Methuen , 1985 . Brook , G. L. The Language of Shakespeare . London ...
... University Press , 1983 . Bristol , Michael D. Carnival and Theater : Plebeian Culture and the Structure of Authority in Renaissance England . New York and London : Methuen , 1985 . Brook , G. L. The Language of Shakespeare . London ...
Page 245
... University Press , 1986 . Greg , W. W. " Principles of Emendation in Shakespeare . " In Aspects of Shake- speare ... University of California Press , 1979 . Guignon , Charles B. Heidegger and the Problem of Knowledge . Indianapolis ...
... University Press , 1986 . Greg , W. W. " Principles of Emendation in Shakespeare . " In Aspects of Shake- speare ... University of California Press , 1979 . Guignon , Charles B. Heidegger and the Problem of Knowledge . Indianapolis ...
Page 250
... University of California Press , 1975 . Ornstein , Robert . A Kingdom for a Stage : The Achievement of Shakespeare's History Plays . Cambridge : Harvard University Press , 1972 . The Moral Vision of Jacobean Tragedy . Madison : University ...
... University of California Press , 1975 . Ornstein , Robert . A Kingdom for a Stage : The Achievement of Shakespeare's History Plays . Cambridge : Harvard University Press , 1972 . The Moral Vision of Jacobean Tragedy . Madison : University ...
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absence action affirmation already appearing argued Banquo becomes beginning character clear comes completely course created critical death deconstruction Derrida desire dialectical discourse discussed dramatic Duncan empirical engage entire equivocation excess fact fear feel fighting final forces gives hand hero heroic horror human Ibid idea imaginative important inside interesting John Dover Wilson kind Lady Macbeth language linguistic logical London look master meaning metaphysical mind moral move murder never notion object once ontological opening opposite organized original philosophical play political possibility precisely presence produced pure question reading reality reference relation scene seems self-presence sense Shakespeare signifying simply Sisters situation soliloquy sovereign space speaking stage structure struggle suggestion theory things thought tion Tragedy tragic Truth turn unit University Press vanishing wants Weird writing York