The Life and Works of Robert SchumannG. Bell, 1900 - 276 pages |
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Page 32
... voices of the age fell upon his ear amidst these new labours , the nearer to him approached Mendelssohn , Chopin , and a long list of lesser masters of the present day , and with the greater knowledge was he enabled to grasp the ideal ...
... voices of the age fell upon his ear amidst these new labours , the nearer to him approached Mendelssohn , Chopin , and a long list of lesser masters of the present day , and with the greater knowledge was he enabled to grasp the ideal ...
Page 51
... voice , such as the clumsy brass , and the instruments of percussion , which are lacking in tone ; these require a different polyphonic treatment from the voice . In instrumental polyphony the differing tone of the various instruments ...
... voice , such as the clumsy brass , and the instruments of percussion , which are lacking in tone ; these require a different polyphonic treatment from the voice . In instrumental polyphony the differing tone of the various instruments ...
Page 91
... voice , as well as the instrumental part of the work . This criticism does not hold good for the first cycle of Heine's songs , published by Schumann as " Liederkreis von Heinrich Heine " ( Op . 24 , 1840 ) , or the following cycle ...
... voice , as well as the instrumental part of the work . This criticism does not hold good for the first cycle of Heine's songs , published by Schumann as " Liederkreis von Heinrich Heine " ( Op . 24 , 1840 ) , or the following cycle ...
Page 94
... first stanza that instrument and voice stand in the proper relation to each other ; in the other verses the instrumental part acquires dimensions which completely overshadow the vocal part , and the 94 THE LIFE AND WORKS OF R. SCHUMANN .
... first stanza that instrument and voice stand in the proper relation to each other ; in the other verses the instrumental part acquires dimensions which completely overshadow the vocal part , and the 94 THE LIFE AND WORKS OF R. SCHUMANN .
Page 95
... voice which it has not in Schubert's works . While with him a melody independently elaborated is combined with a piano accom- paniment treated with the utmost freedom , to express a common thought , the vocal part in the above ...
... voice which it has not in Schubert's works . While with him a melody independently elaborated is combined with a piano accom- paniment treated with the utmost freedom , to express a common thought , the vocal part in the above ...
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Common terms and phrases
adagio Allegro already artistic Bach ballad Beethoven characteristic choral chords chorus Clara Clara Schumann Clara Wieck close composer composition concert construction critical Davidites distinct dramatic emotion English Engravings entire Eusebius expression farther Faust feeling Ferdinand Hiller flat major Florestan Franz Schubert Friedrich Rückert Friedrich Wieck fugue gained Genoveva give harmony Heine Heinrich Heine History idea Illustrations images imagination individual influence inspired Introduction Leipsic letter lyric master meaning melody Mendelssohn ment merely motive movement Mozart musician nature Notes opera orchestra original overture peculiar perfect Peri Phantasiestücke piano accompaniment pianoforte picture poem poet poetic polyphonic Portraits quartet regard Robert Robert Reinick ROBERT SCHUMANN romantic scarcely scherzo Schu Schubert Schumann seems solo sonata songs soul spirit studies style symphony theme tion tone Trans Translated treatment variations various verse violin violoncello vocal voice vols whole wholly Wieck Woodcuts write written Zwickau
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