The Life and Works of Robert SchumannG. Bell, 1900 - 276 pages |
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Page 45
... revised by him , in which he not only suppressed the " wise saw " pre- fixed to the title in the first edition : " In each and every age Allied are joy and grief : Forget not God when all is bright , And in your woe let hope assuage ...
... revised by him , in which he not only suppressed the " wise saw " pre- fixed to the title in the first edition : " In each and every age Allied are joy and grief : Forget not God when all is bright , And in your woe let hope assuage ...
Page 57
... without Orchestral Accompaniment " ( Op . 14 , 1835 ) , in which the 1 Composed in 1830 , revised in 1838 . 2 Composed in 1831 . profound meaning again injures and impedes the perfect construction in OPPOSITIONAL COMPOSITIONS . 52 57.
... without Orchestral Accompaniment " ( Op . 14 , 1835 ) , in which the 1 Composed in 1830 , revised in 1838 . 2 Composed in 1831 . profound meaning again injures and impedes the perfect construction in OPPOSITIONAL COMPOSITIONS . 52 57.
Page 132
... 1841. It was given at the Leipsic Gewandhaus , March 31 , 1841 , with another work , " Overture , Scherzo , and Finale , " written in the same year , but revised in 1845 ( printed as Op . 52 ) , 132 THE LIFE AND WORKS OF R. SCHUMANN .
... 1841. It was given at the Leipsic Gewandhaus , March 31 , 1841 , with another work , " Overture , Scherzo , and Finale , " written in the same year , but revised in 1845 ( printed as Op . 52 ) , 132 THE LIFE AND WORKS OF R. SCHUMANN .
Page 138
... revised and completed ( 1845 and 1851 ) . Schumann attempted to display the new style in a pecu- liar way during the following year ( 1842 ) , in a quartette written for strings ( Op . 41 ) , arranged for strings and piano as a quartet ...
... revised and completed ( 1845 and 1851 ) . Schumann attempted to display the new style in a pecu- liar way during the following year ( 1842 ) , in a quartette written for strings ( Op . 41 ) , arranged for strings and piano as a quartet ...
Page 191
... revised before the appearance of the second edition ( in 1850 , with a German title , the dedication being omitted ) . Two numbers ( Nos . 4 and 11 of the old edition ) the master considered unworthy even of revision ; he suppressed ...
... revised before the appearance of the second edition ( in 1850 , with a German title , the dedication being omitted ) . Two numbers ( Nos . 4 and 11 of the old edition ) the master considered unworthy even of revision ; he suppressed ...
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Common terms and phrases
adagio Allegro already artistic Bach ballad Beethoven characteristic choral chords chorus Clara Clara Schumann Clara Wieck close composer composition concert construction critical Davidites distinct dramatic emotion English Engravings entire Eusebius expression farther Faust feeling Ferdinand Hiller flat major Florestan Franz Schubert Friedrich Rückert Friedrich Wieck fugue gained Genoveva give harmony Heine Heinrich Heine History idea Illustrations images imagination individual influence inspired Introduction Leipsic letter lyric master meaning melody Mendelssohn ment merely motive movement Mozart musician nature Notes opera orchestra original overture peculiar perfect Peri Phantasiestücke piano accompaniment pianoforte picture poem poet poetic polyphonic Portraits quartet regard Robert Robert Reinick ROBERT SCHUMANN romantic scarcely scherzo Schu Schubert Schumann seems solo sonata songs soul spirit studies style symphony theme tion tone Trans Translated treatment variations various verse violin violoncello vocal voice vols whole wholly Wieck Woodcuts write written Zwickau
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