The Life and Works of Robert SchumannG. Bell, 1900 - 276 pages |
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Page 9
... to affect him , without gaining that per- ception of the cause of this effect , which is indispensable to the student of art , through a just appreciation of the ? nature of the materials employed . He therefore early LEIPSIC . 9.
... to affect him , without gaining that per- ception of the cause of this effect , which is indispensable to the student of art , through a just appreciation of the ? nature of the materials employed . He therefore early LEIPSIC . 9.
Page 23
... effect on his individual development was the musical life of Leipsic , which seems even then to have been extremely well ordered . We must once more affirm that intercourse with musical people appealed to him far more , and with greater ...
... effect on his individual development was the musical life of Leipsic , which seems even then to have been extremely well ordered . We must once more affirm that intercourse with musical people appealed to him far more , and with greater ...
Page 31
... effect . The newspaper not only rapidly gained a list of distinguished contributors , but also a tolerably wide circle of readers . In August , four months after its esta- blishment , Schumann joyfully wrote to his friend Töpke , in ...
... effect . The newspaper not only rapidly gained a list of distinguished contributors , but also a tolerably wide circle of readers . In August , four months after its esta- blishment , Schumann joyfully wrote to his friend Töpke , in ...
Page 47
... finished performer . Undoubtedly inspired by Chopin , he then further seeks to acquire unusual effects by a peculiar method of piano playing , as in the following exercises : sf RH RH P etc. LH LH At the same OPPOSITIONAL COMPOSITIONS . 47.
... finished performer . Undoubtedly inspired by Chopin , he then further seeks to acquire unusual effects by a peculiar method of piano playing , as in the following exercises : sf RH RH P etc. LH LH At the same OPPOSITIONAL COMPOSITIONS . 47.
Page 51
... most powerful and brilliant treatment of the piano is always the harmonic . But in order to remove the materialistic effect of this treatment , it is again necessary either to introduce the chords in OPPOSITIONAL COMPOSITIONS . 51.
... most powerful and brilliant treatment of the piano is always the harmonic . But in order to remove the materialistic effect of this treatment , it is again necessary either to introduce the chords in OPPOSITIONAL COMPOSITIONS . 51.
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Common terms and phrases
adagio Allegro already artistic Bach ballad Beethoven characteristic choral chords chorus Clara Clara Schumann Clara Wieck close composer composition concert construction critical Davidites distinct dramatic emotion English Engravings entire Eusebius expression farther Faust feeling Ferdinand Hiller flat major Florestan Franz Schubert Friedrich Rückert Friedrich Wieck fugue gained Genoveva give harmony Heine Heinrich Heine History idea Illustrations images imagination individual influence inspired Introduction Leipsic letter lyric master meaning melody Mendelssohn ment merely motive movement Mozart musician nature Notes opera orchestra original overture peculiar perfect Peri Phantasiestücke piano accompaniment pianoforte picture poem poet poetic polyphonic Portraits quartet regard Robert Robert Reinick ROBERT SCHUMANN romantic scarcely scherzo Schu Schubert Schumann seems solo sonata songs soul spirit studies style symphony theme tion tone Trans Translated treatment variations various verse violin violoncello vocal voice vols whole wholly Wieck Woodcuts write written Zwickau
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