First Steps in Acting |
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Page 7
... wishes to understand the stage has found the reasons for a spectator's appearance in the playhouse , then he will certainly wish to continue his investigation by study- ing that spectator's behavior after he has arrived . A spectator's ...
... wishes to understand the stage has found the reasons for a spectator's appearance in the playhouse , then he will certainly wish to continue his investigation by study- ing that spectator's behavior after he has arrived . A spectator's ...
Page 246
... wish - fulfill- ment . HENRIETTA ( gulping ) . Well , is it ? Do you want our marriage to end ? STEVE . It was a great surprise to me that I did . You see I hadn't known what was in my unconscious mind . HENRIETTA ( flaming ) . What did ...
... wish - fulfill- ment . HENRIETTA ( gulping ) . Well , is it ? Do you want our marriage to end ? STEVE . It was a great surprise to me that I did . You see I hadn't known what was in my unconscious mind . HENRIETTA ( flaming ) . What did ...
Page 337
... wish to be " Doctor , " " Father , " " Mother , " " Postman , " " Storekeeper , " " Cowboy , " " Engineer , " " Preacher , " or " Teacher " rather than someone just like yourself ? As a grown person now do you feel a kindred attraction ...
... wish to be " Doctor , " " Father , " " Mother , " " Postman , " " Storekeeper , " " Cowboy , " " Engineer , " " Preacher , " or " Teacher " rather than someone just like yourself ? As a grown person now do you feel a kindred attraction ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young