First Steps in Acting |
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Page 79
... sound of the word . Therefore we say , in general , that human voice - tones are connected with the sense of muscular tensions . They are kinesthetic . The kinesthetic influence is most likely to reveal itself , of course , when the ...
... sound of the word . Therefore we say , in general , that human voice - tones are connected with the sense of muscular tensions . They are kinesthetic . The kinesthetic influence is most likely to reveal itself , of course , when the ...
Page 95
... sound nervous , keyed up , as if they were speaking outside of their proper age patterns . The aged person tends to have an even less flexible voice . If the young man of twenty uses a range of two octaves , the very old man may be ...
... sound nervous , keyed up , as if they were speaking outside of their proper age patterns . The aged person tends to have an even less flexible voice . If the young man of twenty uses a range of two octaves , the very old man may be ...
Page 342
... sound reaches and disturbs SUZANNE . " Paul . " ( She murmurs , then louder , as if in alarm :) " Paul ! " Her eyes ... sound of movement comes again from outside the grat- ing . She stops , frozen in the attitude in which the sound ...
... sound reaches and disturbs SUZANNE . " Paul . " ( She murmurs , then louder , as if in alarm :) " Paul ! " Her eyes ... sound of movement comes again from outside the grat- ing . She stops , frozen in the attitude in which the sound ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young