First Steps in Acting |
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Page 197
... slowly removes her hat and gloves , continuing the sweet suffering stare . She lets the hat and gloves fall on the floor - a bit of acting . ) LAURA ( shakily ) . How was the D.A.R. meeting ? ( AMANDA slowly opens her purse and removes ...
... slowly removes her hat and gloves , continuing the sweet suffering stare . She lets the hat and gloves fall on the floor - a bit of acting . ) LAURA ( shakily ) . How was the D.A.R. meeting ? ( AMANDA slowly opens her purse and removes ...
Page 305
... slowly and carefully . 48. It is a warm afternoon and you are seated , reading . A man's voice outside the window calls . You raise your head and lis- ten . It is not for you . You return to your reading . In a moment another voice ...
... slowly and carefully . 48. It is a warm afternoon and you are seated , reading . A man's voice outside the window calls . You raise your head and lis- ten . It is not for you . You return to your reading . In a moment another voice ...
Page 346
... slowly to the washstand . Slowly he opens the top drawer , and once , as it squeaks , he glances hastily at the bedroom door . He thrusts a hand into the drawer , feels for a place he knows at the back , and quickly brings out a small ...
... slowly to the washstand . Slowly he opens the top drawer , and once , as it squeaks , he glances hastily at the bedroom door . He thrusts a hand into the drawer , feels for a place he knows at the back , and quickly brings out a small ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young