First Steps in Acting |
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Page 23
... person as its effective presence , a power which it has to titillate the sense and at the same time to stir the mind of the particular person who is looking at , or hearing , or touching this source of stimulation . Because no two ...
... person as its effective presence , a power which it has to titillate the sense and at the same time to stir the mind of the particular person who is looking at , or hearing , or touching this source of stimulation . Because no two ...
Page 68
... person has less bounce than the youth of twenty , the aged individual has no bounce at all . He tends to walk in a very flat - footed manner . He brings heel and toe down together , and lifts his foot again without much spring from the ...
... person has less bounce than the youth of twenty , the aged individual has no bounce at all . He tends to walk in a very flat - footed manner . He brings heel and toe down together , and lifts his foot again without much spring from the ...
Page 328
... person , build or repair an imaginary object ( such as a stool or set of book shelves ) at a work bench . 43. As the same middle - aged person , get some imaginary sewing from a table , walk over to a chair , sit down , and mend a coat ...
... person , build or repair an imaginary object ( such as a stool or set of book shelves ) at a work bench . 43. As the same middle - aged person , get some imaginary sewing from a table , walk over to a chair , sit down , and mend a coat ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young