First Steps in Acting |
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Page 63
... Never let them be left behind in a turn . At the same time , in trying to acquire efficiency take care not to fall ... never throw himself onto his feet . Going Up and Down Stairs . Ascending and descending stairs should look like ...
... Never let them be left behind in a turn . At the same time , in trying to acquire efficiency take care not to fall ... never throw himself onto his feet . Going Up and Down Stairs . Ascending and descending stairs should look like ...
Page 210
... never get another ! You know how much the " Flying Trades " means to him . And Father would never divorce you . You could never marry . You'd be an anchor around his neck . Don't forget you're five years older than he is ! He'll still ...
... never get another ! You know how much the " Flying Trades " means to him . And Father would never divorce you . You could never marry . You'd be an anchor around his neck . Don't forget you're five years older than he is ! He'll still ...
Page 230
... never even noticed . LAURA . And everybody was seated before I came in . I had to walk in front of all those people . My seat was in the back row . I had to go clumping all the way up the aisle with everyone watching ! JIM . You shouldn ...
... never even noticed . LAURA . And everybody was seated before I came in . I had to walk in front of all those people . My seat was in the back row . I had to go clumping all the way up the aisle with everyone watching ! JIM . You shouldn ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young