First Steps in Acting |
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Page 92
... force , and ( 4 ) timbre . Pitch represents tonal level . Simple changes in pitch help to express a wide range of feelings . Often they reveal the speaker's sense of height and depth , and the lift of the spirit with respect to the force ...
... force , and ( 4 ) timbre . Pitch represents tonal level . Simple changes in pitch help to express a wide range of feelings . Often they reveal the speaker's sense of height and depth , and the lift of the spirit with respect to the force ...
Page 297
... forces which impinge on his senses and on his mind . Note how they stir him to action . See how he contends with those ... force of nature ( a storm or a forest fire , a disease or , perhaps , a prob- lem in some scientific experiment ) ...
... forces which impinge on his senses and on his mind . Note how they stir him to action . See how he contends with those ... force of nature ( a storm or a forest fire , a disease or , perhaps , a prob- lem in some scientific experiment ) ...
Page 307
... force , of sensation . ) 58. Standing quietly , imagine that you hear to your right or left someone strumming a guitar . Turn and see the man or woman seated on a box . Listen to him . Show by the posture of your body the place of the ...
... force , of sensation . ) 58. Standing quietly , imagine that you hear to your right or left someone strumming a guitar . Turn and see the man or woman seated on a box . Listen to him . Show by the posture of your body the place of the ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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Common terms and phrases
acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young