First Steps in Acting |
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Page 234
... course in radio engineering at night school , Laura , on top of a fairly responsible job at the warehouse . I'm taking that course and studying public speaking . LAURA . Ohhhh . JIM . Because I believe in the future of television ...
... course in radio engineering at night school , Laura , on top of a fairly responsible job at the warehouse . I'm taking that course and studying public speaking . LAURA . Ohhhh . JIM . Because I believe in the future of television ...
Page 245
... course - one can so seldom antici- pate . But tell me - your dream , Stephen ? It means- ? STEVE . It means — I was considerably surprised by what it means . HENRIETTA . Don't be so exasperating ! STEVE . It means - you really want to ...
... course - one can so seldom antici- pate . But tell me - your dream , Stephen ? It means- ? STEVE . It means — I was considerably surprised by what it means . HENRIETTA . Don't be so exasperating ! STEVE . It means - you really want to ...
Page 341
... course , an intelligent imagination . In each pantomimic sketch , a few words are included in order to bring to the consciousness of the student the relationship be- tween speech and movement . The words should be spoken out loud . The ...
... course , an intelligent imagination . In each pantomimic sketch , a few words are included in order to bring to the consciousness of the student the relationship be- tween speech and movement . The words should be spoken out loud . The ...
Contents
The Actor As ImageMaker | 16 |
The Actor as InstrumentalistPantomime | 49 |
The Actor as InstrumentalistSpeech | 75 |
Copyright | |
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acting actor ALGERNON AMANDA arms audience BENVOLIO BIFF BLAIR body CALIBAN CASSIUS CATHLEEN CECILY chair Chapter character CHRISTINE door dramatic E. Y. Harburg EBEN effect Eugene O'Neill exercises expressive eyes face feeling feet FINIAN Finian's Rainbow fundamental actions give Glass Menagerie GLETKIN goes GWENDOLEN hand head HENRIETTA HORACE imagery imagination impulses JACK JULIET kind kinesthetic laugh LAURA LAVINIA legs lift look MAURYA MERCUTIO MIKAIL mind MISS DYER Mister Roberts move movement never NORA object OLD WOMAN pantomime Paul Eldridge performance person play player posture PRIMUS REGINA response rising role ROMEO Romeo and Juliet RUBASHOV scene sense sits slowly sound speak spectator speech stage standing step STEPHANO STEVE TATIANA tell Tennessee Williams theatre thing Thomas Heggen thou thought tion tonal tone torso TRINCULO turns TYBALT voice walk words young